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Crossing the Current explores aftermaths of internal war through the ethnographic scrutiny of rural transit and territorial transformations in Peru's Upper Huallaga Valley.
Coca's Gone examines the legacy of violence and shattered expectations that shaped the stories told by people of Peru's Upper Huallaga Valley in the aftermath of a twenty-year cocaine boom.
In the current world disorder, security is on everyone’s lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people’s potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts – from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize soc...
Roads and the powerful sense of mobility that they promise carry us back and forth between the sweeping narratives of globalisation, and the specific, tangible materialities of particular times and places. Indeed, despite the fact that roads might, by comparison with the sparkling agility of virtual technologies, appear to be grounded in twentieth century industrial political economy they could arguably be taken as the paradigmatic material infrastructure of the twenty-first century, supporting both the information society (in the ever increasing circulation of commoditized goods and labour), and the extractive economies of developing countries which the production and reproduction of such goods and labour depends. Roads and Anthropology is the first collection of road ethnographies, edited by two pioneers in the anthropological explorations of infrastructures, the essays published in this book aim to pave the way for that rising field of anthropological research. This book was published as a special issue of Mobilities.
What worlds take root in war? In this book, anthropologist Munira Khayyat describes life along the southern border of Lebanon, where resistant ecologies thrive amid a terrain of perennial war. A Landscape of War takes us to frontline villages where armed invasions, indiscriminate bombings, and scattered land mines have become the environment where everyday life is waged. This book dwells with multispecies partnerships such as tobacco farming and goatherding that carry life through seasons of destruction. Neither green-tinged utopia nor total devastation, these ecologies make life possible in an insistently deadly region. Sourcing an anthropology of war from where it is lived, this book decolonizes distant theories of war and brings to light creative practices forged in the midst of ongoing devastation. In lyrical prose that resonates with imperiled conditions across the Global South, Khayyat paints a portrait of war as a place where life must go on.
"The Paraguayan Chaco is a settler frontier where cattle ranching and agrarian extractivism drive some of the world's fastest deforestation and most extreme land tenure inequality. Disrupting the Patrón shows that environmental racism cannot be reduced to effects of neoliberalism but stems from long-standing social-spatial relations of power rooted in settler colonialism. Historically dispossessed of land and exploited for their labor, Enxet and Sanapaná Indigenous peoples nevertheless refuse to abide settler land control. Based on long-term collaborative research and storytelling, Joel E. Correia shows that Enxet and Sanapaná dialectics of disruption enact environmental justice by transcending the constraints of settler law through the ability to maintain and imagine collective lifeways amidst radical social-ecological change"--
"This brilliant study presents contemporary anthropology at its best. Whether one's goal is understanding the permeability of traditions and modernities or the changing shape of religious imagination and thought in one of the most pivotal countries of the Middle East, this book is an outstanding point of departure."—Dale F. Eickelman, author of The Middle East and Central Asia: An Anthropological Approach, 4th ed. "Dreams That Matter is an insightful and well-crafted study of the practice of dreaming in contemporary Egypt. Mittermaier provides a superb analysis of the imaginative repertoires of Islamic traditions and shows how the dream has remained not only a site of Muslim scholarly inte...
Gang-related violence has forced thousands of Hondurans to flee their country, leaving behind everything as refugees and undocumented migrants abroad. To uncover how this happened, Jon Carter looks back to the mid-2000s, when neighborhood gangs were scrambling to survive state violence and mass incarceration, locating there a critique of neoliberal globalization and state corruption that foreshadows Honduras’s current crises. Carter begins with the story of a thirteen-year-old gang member accused in the murder of an undercover DEA agent, asking how the nation’s seductive criminal underworld has transformed the lives of young people. He then widens the lens to describe a history of imperi...
Mobile Selves illuminates how transnational communicative practices and forms of exchange produce new forms of kinship, social relations, and subjectivities for global labor migrants. It shows how migrants create and circulate new portrayals of themselves, which work both to challenge the class and racial biases that they had faced in their home country and to shape how they construct and experience their mobility, and reenvision themselves and their communities in the process. In this engaging volume Ulla D. Berg examines the conditions under which racialized Peruvians of rural and working-class origins leave the central highlands of Peru to migrate to the United States, how they fare, and ...
In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years. Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine. This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.