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MAKING HISTORY is an epic exploration of who writes about the past and how the biases of certain storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - continue to influence our ideas about history (and about who we are) today. In this authoritative and entertaining book, Richard Cohen reveals how professional historians and other equally significant witnesses (such as the writers of the Bible, major novelists, dramatists, journalists and political propagandists) influence what become the accepted records of human experience. Is there, he asks, even such a thing as 'objective' history? The depth of Cohen's inquiry and the delight he takes in his subjects includes the pra...
“SO . . . My parents have superpowers!” Zoe thinks there’s more than meets the eye when it comes to her Mom and Dad. With memories of Super Speed and Mind Reading, Zoe lays out the evidence that she has SUPER PARENTS to her classmates during her first ever Career Day! Relatable and endearing, "My Super Parents" is a testament to the superhuman endeavor of raising a child and a warm reminder that children will always see their parents as the superheroes that they are!
“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon Winchester With a new Preface by the author Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Swo...
A very personal journey through Jewish history (and Cohen’s own), and a passionate defense of Israel’s legitimacy. Richard Cohen’s book is part reportage, part memoir—an intimate journey through the history of Europe’s Jews, culminating in the establishment of Israel. A veteran, syndicated columnist for The Washington Post, Cohen began this journey as a skeptic, wondering in a national column whether the creation of a Jewish State was “a mistake.” As he recounts, he delved into his own and Jewish history and fell in love with the story of the Jews and Israel, a twice-promised land—in the Bible by God, and by the world to the remnants of Europe’s Jews. This promise, he write...
Educational resource for teachers, parents and kids!
A Spectator Best Book of the Year ‘There are three rules for writing a novel,’ Somerset Maugham once said. ‘Unfortunately, no one knows what they are.’ So how to bring characters to life, find a voice, kill your darlings, avoid plagiarism (or choose not to), or run that most challenging of literary gauntlets—writing a good sex scene? Veteran editor and author Richard Cohen takes us on a fascinating excursion into the lives and minds of our greatest writers—from Balzac and Eliot to Woolf and Nabokov, through to Zadie Smith and Stephen King, with a few mischievous detours to Tolstoy along the way. In a glittering tour d’horizon, he lays bare their tricks, motivations, techniques, obsessions and flaws.
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.
“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” (USA TODAY) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director (Sleepless in Seattle; You’ve Got Mail; When Harry Met Sally; Heartburn; Julie & Julia). She wrote a slew of bestsellers (I Feel Bad About My Neck: And Other Thoughts on Being a Woman; I Remember Nothing: And Other Reflections; Scribble, Scribble: Notes on the Media; Crazy Salad: Some Things About Women). ...
Elevations is a series of closely related essays on the ground-breaking philosophical and theological work of Emmanuel Levinas and Franz Rosenzweig, two of the twentieth century's most important Jewish philosophers. Focusing on the concept of transcendence, Richard A. Cohen shows that Rosenzweig and Levinas join the wisdom of revealed religions to the work of traditional philosophers to create a philosophy charged with the tasks of ethics and justice. He describes how they articulated a responsible humanism and a new enlightenment which would place moral obligation to the other above all other human concerns. This elevating pull of an ethics that can account for the relation of self and other without reducing either term is the central theme of these essays. Cohen also explores the ethical philosophy of these two thinkers in relation to Nietzsche, Husserl, Heidegger, Buber, Sartre, and Derrida. The result is one of the most wide-ranging and lucid studies yet written on these crucial figures in philosophy and Jewish thought.
A look not only at the inner man but also at the environments that shaped Leonard Cohen, from the rock scene of New York in the 1960s to the remote Zen monastery where Cohen spent years later in life.