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John Gielgud Directs Richard Burton in Hamlet
  • Language: en
  • Pages: 149
John Gielgud Directs Richard Burton in Hamlet: a Journal of Rehearsals
  • Language: en
  • Pages: 148

John Gielgud Directs Richard Burton in Hamlet: a Journal of Rehearsals

  • Type: Book
  • -
  • Published: Unknown
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  • Publisher: Unknown

None

LIFE
  • Language: en
  • Pages: 88

LIFE

  • Type: Magazine
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  • Published: 1968-02-09
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  • Publisher: Unknown

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

LIFE
  • Language: en
  • Pages: 88

LIFE

  • Type: Magazine
  • -
  • Published: 1968-02-09
  • -
  • Publisher: Unknown

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

Hamlet: Critical Essays
  • Language: en
  • Pages: 537

Hamlet: Critical Essays

  • Type: Book
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  • Published: 2014-02-03
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  • Publisher: Routledge

A comprehensive collection of the best writing about this Shakespearian play, both as dramatic literature and theatrical performance, this book is an excellent resource companion to the text. This collected wisdom was originally published in 1986. It contains pieces of commentary from as far back as the late 18th Century but also highly acclaimed critical pieces from more recent years, organised into six general themes.

Techniques of Acting
  • Language: en
  • Pages: 154

Techniques of Acting

Originally published in 1969, this was the first book of its kind: an attempt to describe the different approaches that the actor needs to make to different media – theatre, film and television – and to show how the art of acting, which never stops evolving had entered into a new phase of growth in the sixties. Ronald Hayman examines questions which are basic, but had often been ignored: What exactly goes on inside the actor’s mind while (s)he is preparing a part? How much do actors vary in their approach? Where does personality stop and technique begin? This wide-ranging study of the actor at work is based partly on what outstanding actors have said about their methods but chiefly on close analysis of actual performances in plays, films and on television. Laurence Olivier, Helene Weigel, Jeanne Moreau and many others are both examined in close-up and viewed in perspective against the giants of the past like Bernhardt and Salvini.

Shakespeare Without Boundaries
  • Language: en
  • Pages: 395

Shakespeare Without Boundaries

Shakespeare without Boundaries: Essays in Honor of Dieter Mehl offers a wide-ranging collection of essays written by an international team of distinguished scholars who attempt to define, to challenge, and to erode boundaries that currently inhibitunderstanding of Shakespeare, and to exemplify how approaches that defy traditional bounds of study and criticism may enhance understanding and enjoyment of a dramatist who acknowledged no boundaries in art. The Volume is published in tribute to Professor Dieter Mehl, whose critical and scholarly work on authors from Chaucer through Shakespeare to D. H. Lawrence has transcended temporal and national boundaries in its range and scope, and who, as Ann Jennalie Cook writes, has contributed significantly tothe erasure of political boundaries that have endangered the unity of German literary scholarship and, more broadly, through his work for the International Shakespeare Association, to the globalization of Shakespeare studies.

Princeton Alumni Weekly
  • Language: en
  • Pages: 1128

Princeton Alumni Weekly

None

Hamlet
  • Language: en
  • Pages: 324

Hamlet

The story of Hamlet in production, from Burbage at the Globe to Branagh on film.

Shakespeare's Dramatic Transactions
  • Language: en
  • Pages: 260

Shakespeare's Dramatic Transactions

Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an act...