You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"We've all got the power in our hands to kill, but most people are afraid to use it. The ones who aren't afraid control life itself."--Richard Ramirez Ten years after the murder spree that left thirteen people dead and paralyzed the city of Los Angeles with fear, his name is synonymous with Satanism, torture and sadistic murder. Yet despite the sensational nature of his crimes, no one has ever been able to tell the complex story of the killer whose seductive, brooding looks still draw women like moths to a flame--a man millions call the devil himself. Until Now. . . Painstakingly researched over three years, based on nearly one hundred hours of exclusive interviews with Richard Ramirez on California's Death Row, The Night Stalker is the definitive account of America's most feared serial murderer. From Ramirez's earliest brushes with the law to his deadliest stalking expeditions to the unprecedented police and civilian manhunt that resulted in one of the most sensational trails in California history, The Night Stalker is an eerie and spellbinding descent into the very heart of human evil. It is more than epic nonfiction at its brutally real-it is a true crime masterpiece.
John Sudras discovers he has a unique talent. He can see and talk to the dead. They tell him life is a punishment for misdeeds. One of them, Ben Garman, decides to be the first ghost to ask John to help him. "I want you to find the person that killed me." So starts Death Of A Pornographer. John will find that the punishment Ben decides upon is only one a ghost could choose.
Permanent Obscurity is a youthful bohemian satire, a story of alienated nonconformists, a Thelma & Louise story. This pulp epic could be labeled a black comedy. It could be labeled anticonsumer and subversive. Welcome to the psychosexual world of Permanent Obscurity. Inspired by the underground sexploitation films of the 1960s, this bold updating of the roughies subgenre largely takes place in New York City's East Village (ca. 2006), and it chronicles the rise and fall of a unique and intense friendship. Dolores and Serena, two chemically dependent, down-and-out artists set out to take control of their lives by making a fetish-noir/femdom movie. Of course, things don't exactly turn out as planned.
This work brings together the essential writings that every student of journalism should know. It presents 40 of the most important works about journalism arranged thematically to enable students to think deeply and broadly about journalism - its social impact, its history, key individuals and institutions, its practice and its future.
Help your clients successfully integrate the angel and the rebel! Saints and Rogues: Conflicts and Convergence in Psychotherapy is a unique look at two extremes of human behavior and thought—and how they meet within the psychotherapy experience. In this extensive resource, you will gain a greater understanding of human potential by exploring personalities where the line between conformity and divergence has been blurred. This book will help psychotherapists, pastoral and marriage and family counselors, and medical/nursing service providers guide patients and clients in turning negative actions and decisions into positive ones. In Saints and Rogues, you will find: an assessment of the life ...
Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent. The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‐Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique. This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.