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Film and the Anarchist Imagination
Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives.these characteristic clichés of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmüller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Tout Va Bien, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 1968.
Terrorism, Media, Liberation
"Historical overview of terrorism and how it has been depicted in the media, especially films and television. In turn, these depictions have shaped terrorist tactics, and public reaction to terrorism"--Provided by publisher.
The Cambridge Companion to Shakespeare on Screen
Lively and up-to-date critical introductions to a rich range of Shakespeare adaptations for film, video and television.
Filming the First
The First Amendment to the U.S. Constitution prohibits Congress from abridging freedom of the press. But, as the printed press has been transformed into mass media with Americans now more likely to get their political information from television or social media than from print, confidence in this important, mediating institution has fallen dramatically. Movies, in their role as cultural artifacts, have long reflected and influenced those public attitudes, inventing such iconic phrases as “follow the money” from All the President’s Men and “I’m mad as hell and I’m not going to take this anymore” from Network. Filming the First: Cinematic Portrayals of Freedom of the Press analyzes eighteen films that span from Citizen Kane to Spotlight showing changes in how the press have been portrayed over time, which voices receive the most attention and why, the relationship between the press’s “Fourth Estate” role and the imperatives of capitalism, and how, despite the First Amendment’s seemingly absolute language, the government has sometimes been able to limit what the public can read or view.
War, Image and Legitimacy
This book examines how image affects war and whether image affects our understanding of war. Crucially, how can moving-image representation of conflict affect the legitimacy, conduct and outcome of contemporary warfare? The collapsing Twin Towers of September 11; the hooded figure at the Abu Ghraib prison in Iraq; the images of beheadings on the internet; the emaciated figure in a Bosnian-Serb concentration camp; the dancing flashes across the skylines of Baghdad as US-led air bombardment deals blows to another ‘rogue’ regime: such images define contemporary conflict. Drawing on a wide range of examples from fiction and factual film, current affairs and television news, as well as new digital media, this book introduces the notion of moving images as the key weapons in contemporary armed conflict. The authors make use of information about the US, the UK, the ‘War on Terror’, the former Yugoslavia, former Soviet states, the Middle East and Africa. War, Image and Legitimacy will be of great interest to students of war and security studies, media and communication studies, and international relations in general.
Klaus Kinski, Beast of Cinema
With more than 130 films and a career spanning four decades, Klaus Kinski (1926-1991) was one of the most controversial actors of his generation. Known for his wild tantrums on set and his legendary collaborations with auteur Werner Herzog--Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1979)--Kinski's intense performances made him the darling of European arthouse and exploitation/horror cinema. A genius in front of the camera, he was capable of lighting up the most risible films. Yet behind his public persona lurked a depraved man who took his art to the darkest extremes. This first ever collection of essays focusing on Kinski examines his work in exploitation and art house films and spaghetti westerns, along with his performances in such cult classics as Doctor Zhivago (1965), Crawlspace (1986), Venus in Furs (1965), The Great Silence (1968), Android (1982) and his only directorial credit, Paganini (1989). More than 50 reviews of Kinski's films are included, along with exclusive interviews with filmmakers and actors who worked with him.
The Direct Cinema of David and Albert Maysles
Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no rehearsed footage and no preconceived plots, their revolutionary work eschewed the authoritative voice-over narrator, didactic scripts, and the traditional problem-and-solution format used by the majority of their predecessors in the genre and duly influenced subsequent directors in both fiction and nonfiction film. Their collaboration from 1962 until David’s death in 1987 wrought thirteen major ...
American Culture Transformed
The bombing of the Twin Towers in New York City on September 11, 2001, marked a major turning point in modern American culture. Priscilla Walton and Bruce Tucker examine critical moments in the aftermath of 9/11 – the Enron scandal, the trial of Martha Stewart, the capture and rescue of Jessica Lynch, the torture at Abu Ghraib prison, the widespread popularity of Dan Brown's The Da Vinci Code and Tim LeHaye's "Left Behind" series, Michael Moore's movie Fahrenheit 9/11, and former president Ronald Reagan's funeral. The authors argue that commentators on the American scene abandoned complexity, seeking to reduce events to their simplest signification. They ask how the singularity of meaning came to dominate American cultural consciousness, and they seek to theorize the critical cultural and political movements of the post 9/11 period.
French B Movies
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along ...
Resistance
This collection of writings and images documents the political history of NYC’s Lower East Side, describing the lives and struggles of the radicals, artists, and immigrants that populated and politicized one of America’s strangest and most beloved neighborhoods. Current and former residents of the neighborhood explore the social, political, and human landscape of one of America’s most storied bohemias. In over fifty chapters, Emma Goldman, Dorothy Day, Christopher Mele, John Macmillan, Jim Feast, Al Orensanz, Allan Antliff, Lynn Stewart, Thomas McEvilly, Frank Morales, and many others cover topics ranging from the early settlement houses and sweatshops to squatters, rioters, artists, activists and organizers. Resistance is jam-packed with fascinating first-person accounts of the battles, triumphs, failures, and lives of a neighborhood that is rapidly being lost to gentrification.
