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Published and distributed for the Vidal Sassoon International Center for the Study of Antisemitism During the sixty years between the founding of Bismarck’s German Empire and Hitler’s rise to power, German-speaking Jews left a profound mark on Central Europe and on twentieth-century culture as a whole. How would the modern world look today without Einstein, Freud, or Marx? Without Mahler, Schoenberg, Wittgenstein, or Kafka? Without a whole galaxy of other outstanding Jewish scientists, poets, playwrights, composers, critics, historians, sociologists, psychoanalysts, jurists, and philosophers? How was it possible that this vibrant period in Central European cultural history collapsed into...
Austrian-born Richard von Kralik (1852–1934), the so-called poet laureate of Christian Socialism, espoused such hauntingly familiar themes as the “Christian-Germanic ideal of beauty” and the “Holy Roman Empire of the German Nation.” Kralik wielded the tool of propaganda for the Christian Socialists and realized the powerful draw of nationalism when couched in art, poetry, music, and literature. Although Kralik seems to have had no direct influence upon Adolf Hitler, his quest for “pure” German culture and his use of propaganda to achieve those ends share a marked resemblance to the tactics of the Third Reich. Professor Richard Geehr pays meticulous attention to historical detail, avails himself of all available sources, and assesses judiciously Richard von Kralik’s life and influence in late-nineteenth and early-twentieth-century Austria.
Three Jews, Alfred Dreyfus, Mendel Beilis, and Leo Frank, were charged with heinous crimes in the generation before World War I, Dreyfus of treason in France, Beilis of ritual murder in Russia, and Frank of the murder of a young girl in the United States. Quite aside from the lurid details and sensational charges, larger issues emerged, among them the power of modern anti-Semitism, the sometimes tragic conflict between the freedom of the press and the protection of individual rights, the unpredictable reactions of individuals when subjected to extreme situations, and the inevitable ambiguities of campaigns for truth and justice when political advantage is to be gained from them. In attempting to untangle myth and reality many surprises emerge; heroes appear less heroic and villains less villainous, while real factors appear more important than most accounts of the affairs have recognised.
An up-to-date, succinct and highly readable survey of a compelling subject, making accessible classic and recent research on Nazi Germany.
From Ambivalence to Betrayal is the first study to explore the transformation in attitudes on the Left toward the Jews, Zionism, and Israel since the origins of European socialism in the 1840s until the present. This pathbreaking synthesis reveals a striking continuity in negative stereotypes of Jews, contempt for Judaism, and negation of Jewish national self-determination from the days of Karl Marx to the current left-wing intellectual assault on Israel. World-renowned expert on the history of antisemitism Robert S. Wistrich provides not only a powerful analysis of how and why the Left emerged as a spearhead of anti-Israel sentiment but also new insights into the wider involvement of Jews in radical movements. There are fascinating portraits of Marx, Moses Hess, Bernard Lazare, Rosa Luxemburg, Leon Trotsky, and other Jewish intellectuals, alongside analyses of the darker face of socialist and Communist antisemitism. The closing section eloquently exposes the degeneration of leftist anti-Zionist critiques into a novel form of “anti-racist” racism.
This is the first book to establish how classical antiquity and the study of the Bible together formed Victorian ideas of the past, and consequently informed the very construction of modernity. Its multi-disciplinary approach will be valuable to scholars and graduate students in numerous disciplines across the arts and humanities.
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This is the first book-length study to examine the interface between literary and theological modernisms. It provides a comprehensive account of literary responses to the modernist crisis in Christian theology from a transnational and interdenominational perspective. It offers a cultural history of the period, considering a wide range of literary and historical sources, including novels, drama, poetry, literary criticism, encyclicals, theological and philosophical treatises, periodical publications, and wartime propaganda. By contextualising literary modernism within the cultural, religious, and political landscape, the book reveals fundamental yet largely forgotten connections between literary and theological modernisms. It shows that early-twentieth-century authors, poets, and critics, including Rainer Maria Rilke, T. S. Eliot, and Czesław Miłosz, actively engaged with the debates between modernist and neo-scholastic theologians raging across Europe. These debates contributed to developing new ways of thinking about the relationship between religion and literature, and informed contemporary critical writings on aesthetics and poetics.
Depicts and evaluates the "golden age" of Viennese Jewry during the long reign of Emperor Franz Joseph. Based on research, it provides new insights into the factors that favoured the ascent of Viennese Jewry as well as the antisemitic movements that accompanied its rise.
As the Holocaust passes out of living memory, future generations will no longer come face-to-face with Holocaust survivors. But the lessons of that terrible period in history are too important to let slip past. How Was It Possible?, edited and introduced by Peter Hayes, provides teachers and students with a comprehensive resource about the Nazi persecution of Jews. Deliberately resisting the reflexive urge to dismiss the topic as too horrible to be understood intellectually or emotionally, the anthology sets out to provide answers to questions that may otherwise defy comprehension. This anthology is organized around key issues of the Holocaust, from the historical context for antisemitism to...