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Alfred Sisley (1839-99) was one of the greatest landscape painters of the nineteenth century and a leading figure in the Impressionist movement. His celebrated snow scenes of the Paris suburbs, his views of the flooded Seine at Pont-Marly and the colourful regattas on the Thames achieve a superb tonal balance and poetry of mood, while also giving a lively depiction of their subjects. Richard Shone brings a fresh eye and an intimate knowledge of the Ile de France to this, the most detailed and authoritative survey yet to appear of Sisley's life and works. With a wealth of illustrations and an absorbing text, and now reiussued as an attractively priced paperback, this book reveals Sisley as an artist of seductive power and originality.
Om de engelske kunstnere Vanessa Bell, Duncan Grant og kredsen omkring dem
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Alfred Sisley is now recognized as one of the great landscape painters of the 19th century, and a leading figure in the Impressionist movement. He divided his time between France and England and the illustrations in this volume include the snow scenes of the Paris suburbs, his views of the flooded Seine at Port-Marly, and his paintings of the regattas on the Thames, which have been described as embodying the perfect moment of Impressionism.
The word Bloomsbury most often summons the novels of Virginia Woolf and E. M. Forster or images of artists and intellectuals debating the hot parlor topics of 1910s and 1920s London: literary aesthetics, agnosticism, defining truth and goodness, and the ideas of Bertrand Russell, A. N. Whitehead, and G. E. Moore. But the Bloomsbury Group also played a prominent role in the development of modernist painting in Britain. The work of artists Vanessa Bell, Duncan Grant, Roger Fry, and their colleagues was often audacious and experimental, and proved to be one of the key influences on twentieth-century British art and design. This catalogue, published to accompany a major international exhibition ...
'Sensation' features work by over 40 of the most radical artists working in Britain today as well as erudite essays which analyse the phenomenon of the British art scene from the late 1980s to the present day and place it in its historical context.
"This catalogue is published in conjunction with the exhibition 'Alfred Sisley (1839-1899) : Impressionist Master', organized by the Bruce Museum, Greenwich, Connecticut (January 21, 2017 to May 21, 2017) and [Hotel de Caumont Centre d'Art] Culturespaces (June 10, 2017 to October 8, 2017)" -- Watson Library.
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