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Paper Sculpture
Paper is readily available and inexpensive in comparison to other sculptural media, and can be manipulated with a set of simple tools. It is a tactile medium, which can be formed into three-dimensional shapes quickly and immediately through folding and cutting. This hands-on element is something I feel is important -- it allows the artist to engage immediately with the material, resulting in something physical and tangible. It is, perhaps, these factors that make it so appealing, not only as a tool to apply in different fields, such as model making for architecture, but as an activity for its own sake. A section of this book is dedicated to a selection of the techniques I use in the creation of my work, and which I demonstrate in my workshops. My aim is to show the basic principles of form-making in paper, which can then be expanded on and explored as the reader wishes. Also included are my sources of inspiration and details of my working practice, which shows the evolution of an initial idea into a final artwork. I hope this book offers an insight into my work, while offering inspiration to those who wish to explore the creative potential of paper.
Paper
Focusing on all aspects of paper manipulation, this title covers a wide range of techniques including drawing, painting, sculpture, collage, paper folding, cut-out, pop-up, and installation.
The Beekeeper's Bible
This comprehensive beekeeping guide covers all the practicalities and will teach you everything there is to know about caring for bees and safe hive management, with clear instructions and step-by-step illustrations.
The Paper Sculpture Book
Drawing on (s)cul(p)tural paradigms as diverse as paper-doll books, Mad magazine fold-ins and exploded schematic diagrams, the artists in The Paper Sculpture Book offer a hands-on, self-contained art show. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S. Obviously, these are not your elementary-school paper airplanes.
Unfolded
In Unfolded—Paper in Design, Art, Architecture and Industry paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art. From "Paper", the collection of bags by Stefan Diez, to Konstantin Grcic’s paper models and the scented paper garments of Issey Miyake, this book presents paper as a high-quality contemporary and ecological material. An enormous selection of projects, the lavish design and numerous illustrations provide designers with invaluable inspiration for their work. The content core of the book is a comprehensive list of state-of-the-art paper products and innovative paper technologies, supporting designers in their everyday work with detailed information on the "high-tech" material paper. From Japanese washi paper and paper foam, to ceramic paper and carbon fiber paper, Unfolded presents the latest in research and development, as well as the most important methods and technologies in handcrafts and industry.
A Place Called Appomattox
Although Appomattox Court House is one of the most symbolically charged places in America, it was an ordinary tobacco-growing village both before and after an accident of fate brought the armies of Lee and Grant together there. It is that Appomattox--the typical small Confederate community--that William Marvel portrays in this deeply researched, compelling study. He tells the story of the Civil War from the perspective of those who inhabited one of the conflict's most famous sites. The village sprang into existence just as Texas became a state and reached its peak not long before Lee and Grant met there. The postwar decline of the village mirrored that of the rural South as a whole, and Appomattox served as the focal point for both Lost Cause myth-making and reconciliation reveries. Marvel draws on original documents, diaries, and letters composed as the war unfolded to produce a clear and credible portrait of everyday life in this town, as well as examining the galvanizing events of April 1865. He also scrutinizes Appomattox the national symbol, exposing and explaining some of the cherished myths surrounding the surrender there.
