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Shakespeare’s House
Reveals the hidden history of the house where Shakespeare was born and its changing fortunes over four centuries, mirroring the changing attitudes towards Shakespeare as a man and global icon.
The Secrets of Happiness
The Secrets of Happiness is a philosophical inquiry into the nature of happiness. Combining wit, warmth, and intellectual authority, this book offers us ancient wisdom for modern living. Richard Schoch shows readers how they can enrich their lives by recovering the ancient philosophical and religious traditions of happiness--and then putting them to work in their own lives today. In a journey across cultures and centuries--from the trials of Job to the Meditations of Marcus Aurelius, and from Buddha's Four Noble Truths to the ecstasy of medieval Sufi mystics--Schoch answers questions that, although fundamental to our well-being, are rarely asked: what kind of effort does it take to be happy?...
Shakespeare's House
"Richard Schoch explores the appeal of Shakespeare's 'Birthplace' to visitors by examining the history of the house through time and how its changing fortunes reflect the changing attitudes toward Shakespeare himself. Based on original research, this book traces the history of Shakespeare's birthplace, beginning in the 1560s, when Shakespeare was born there, and ending in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today"--
Writing the History of the British Stage
This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history.
The Secrets of Happiness
Today, influenced by books on the "science" of happiness and quick "self-help" cures, we have settled for a much weaker version of happiness than previous cultures: just enjoyment of pleasure and avoidance of pain. It is only through rediscovering previous religions and philosophies - through the individuals who put forward the ideas - that we can learn how to be genuinely happy again. With wit and warmth, Richard Schoch explores these ideas - from the Meditations of Marcus Aurelius to Buddha's Four Noble Truths - and travels through cultures and centuries to provide enduring wisdom for modern living.
How Sondheim Can Change Your Life
Discover the powerful and universal lessons from the music and lyrics of Stephen Sondheim, the genius behind such musical theater masterworks as Company, West Side Story, and Into the Woods. Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that...
Writing the History of the British Stage
"This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history"--
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. Founder of the Duke's Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare. The eBook editions of this work are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Queen's University Belfast.
Queen Victoria and the Theatre of Her Age
A fresh and intimate portrait of Queen Victoria 'at the play'. Through Victoria's diary, artwork and correspondence we see her as enraptured spectator, bountiful patron and tyrannical director of private theatricals. At times she appears formidable. More frequently she is impudent, high-spirited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy's place in popular culture.
Not Shakespeare
Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the nineteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in this study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies.
