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This catalog was published in conjunction with the exhibition Richard Jackson: Ain't Painting a Pain, organized and presented by the Orange County Museum of Art, Newport Beach, California, February 15-May 5, 2013.
Planet Auschwitz explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies. Planet Auschwitz website (https://planetauschwitz.com)
From a basic two-camera interview to an elaborate 26 camera HD concert film, this comprehensive guide presents a platform-agnostic approach to the essential techniques required to set up and edit a multi-camera project. Actual case studies are used to examine specific usages of multi-camera editing and include a variety of genres including concerts, talk shows, reality programming, sit-coms, documentaries for television, event videography and feature films. Other features include: * Advanced multi-camera techniques and specialty work-flows are examined for tapeless & large scale productions with examples from network TV shows, corporate media projects, event videography, and feature films. *...
"This Special Paper presents a collection of 19 papers contributed to a joint Field Forum organized by the Geological Society of America and the Geological Society of South Africa in July 2004 in the Barberton Greenstone Belt and the Vredefort Dome, South Africa. The papers cover a wide variety of themes, including Archean and Proterozoic crust formation and geodynamics (with an appraisal of evidence of Archean subduction processes); the significance of impacts in the evolution of the early Earth's crust; traces of early life in Archean environments of Australia and South Africa and related studies of depositional environments; and processes affecting the giant Witwatersrand gold deposit."--Publisher's website.
This volume was first published by Inter-Disciplinary Press in 2013. This volume represents the collective visions of twenty-one post-humanist cyberculture scholars. The complimentary and dissenting voices within have been organized into three categories for this work, the first within the general category of Post-Humanism, what it is, why it is important, and what we as ‘pre post-human humans’ currently know about our culture and the direction it is taking us towards the eventual post-human times. Next, venture into the Cultures in Cyberspace which are shaping our future worlds today, for to understand the culture of our interconnectedness is to begin to appreciate the impossibly complex intricacies of the coming age of connectedness. To this end, New Narrativism becomes our gateway to this future.
This book is a collection of selected papers which have been delivered at numerous international conferences. They are classified into two main categories: poetry and prose. The first section deals with poetry of the Pre-Romantic, Romantic, modern, and contemporary eras, while the section on prose concerns the eighteenth and nineteenth centuries.
Denis Wirth-Miller and Dicky Chopping were a couple at the heart of the mid-twentieth century art world, with the visitors' book of the Essex townhouse they shared from 1945 until 2008 painting them as Zeligs of British society. The names recorded inside make up an astonishing supporting cast - from Francis Bacon to Lucian Freud to Randolph Churchill to John Minton. Successful artists, although not household names themselves, writing Dicky and Denis off as just footnotes in history would be a mistake. After Denis's death in 2010, Jon Lys-Turner, one of two executors of the couple's estate, came into possession of an extraordinary archive of letters, works of art and symbolically loaded ephem...