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Maxims and Reflections (Ricordi)
  • Language: en
  • Pages: 156

Maxims and Reflections (Ricordi)

Review: "Unlike Machiavelli-inveterate dreamer and cynic-Guicciardini's mind is remarkable for the balance and masterly coolness of its judgment."-Federico Chabod "In the history of Renaissance thought, Guicciardini's Ricordi occupy a place of singular importance. Few works of the sixteenth century allow us so penetrating an insight into the views and sentiments of its author as these reflections of the great Italian historian. . . . Like Machiavelli's Prince, the Ricordi form one of the outstanding documents of a time of crisis and transition; but unlike the Prince, they range over a wide field of private as well as public life. In doing so, they revel the man as well as the political theorist."-Nicolai Rubenstein, from the Introduction.

The Book of World-famous Music
  • Language: en
  • Pages: 756

The Book of World-famous Music

Well-researched compilation of music information, analyzes nearly 1,000 of the world's most familiar melodies -- composers, lyricists, copyright date, first lines of music, lyrics, and other data. Includes 30 black-and-white illustrations.

Puccini
  • Language: en
  • Pages: 558

Puccini

Puccini's operas are among the most popular and widely performed in the world, yet few books have examined his body of work from an analytical perspective. This volume remedies that lack in lively prose accessible to scholars and opera enthusiasts alike.

Catalog of Copyright Entries
  • Language: en
  • Pages: 522

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

Arias, Ensembles, & Choruses
  • Language: en
  • Pages: 550

Arias, Ensembles, & Choruses

Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with pag...

A New Perspective for the Use of Dialect in African American Spirituals
  • Language: en
  • Pages: 277

A New Perspective for the Use of Dialect in African American Spirituals

A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research...

Orchestral Music
  • Language: en
  • Pages: 634

Orchestral Music

Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Stepfamilies across Europe and Overseas, 1550–1900
  • Language: en
  • Pages: 266

Stepfamilies across Europe and Overseas, 1550–1900

This book emphasizes diverse perspectives on the new and expanding history of stepfamilies in Europe and some of its overseas territories from 1550 to 1900. The chapters examine the life stages within stepfamilies from the half-orphans and illegitimate children who experienced the introduction of a stepparent to how parent–child and step or half-sibling relationships shifted and changed with living arrangements and mobility within villages or to towns and overseas. Several historical demography chapters establish the frequency and types of stepfamilies in Western and East Central Europe – whether a father-stepmother couple, a mother-stepfather union, a parent with an illegitimate child. ...

Mendelssohn Perspectives
  • Language: en
  • Pages: 391

Mendelssohn Perspectives

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

If the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.