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Adapting King Lear for the Stage
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historica...
Goethe in English
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintin...
Humanities
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Upon these Shores
This one-volume, comprehensive overview of African American history brings together original essays by some of the foremost authorities in the field. Arranged both thematically and chronologically, these papers discuss a wide range of topics - from the Middle Passage to the Civil Rights Movement; from abolition to the Great Migration; from issues in religion, class and family to literature, education and politics.
Eleuthéria
By the winner of the 1969 Nobel Prize for Literature Before the classic Waiting for Godot, Samuel Beckett wrote Eleuthéria. Legend has it that the great French director Roger Blin was given his choice of the two plays. Waiting for Godot won out.Eleuthéria, which has seventeen characters and elaborate and numerous scene changes, was virtually forgotten for the next forty years. As Beckett scholars have noted, elements in Eleuthéria prefigure many of the themes and characters of Beckett’s most important plays. Beyond the historical interest of this “lost” work, there is also the mesmerizing quality of the master playwright’s language. Samuel Beckett (1906-1989) was a playwright, poe...
The Art of Light on Stage
The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these n...
Operas in English
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
The Hidden Pattern
The Hidden Pattern presents a novel philosophy of mind, intended to form a coherent conceptual framework within which it is possible to understand the diverse aspects of mind and intelligence in a unified way. The central concept of the philosophy presented is the concept of "pattern" minds and the world they live in and co-create are viewed as patterned systems of patterns, evolving over time, and various aspects of subjective experience and individual and social intelligence are analyzed in detail in this light. Many of the ideas presented are motivated by recent research in artificial intelligence and cognitive science, and the author's own AI research is discussed in moderate detail in one chapter. However, the scope of the book is broader than this, incorporating insights from sources as diverse as Vedantic philosophy, psychedelic psychotherapy, Nietzschean and Peircean metaphysics and quantum theory. One of the unique aspects of the patternist approach is the way it seamlessly fuses the mechanistic, engineering-oriented approach to intelligence and the introspective, experiential approach to intelligence.
Blues: The Basics
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
