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The Monster Trilogy
Ogres, trolls, demons – monsters, like violence, are always represented as male. Not this time. Celebrated playwright RM Vaughan gives us, in three one-act monologues, three very monstrous women. In A Visitation by St Teresa of Avila upon Constable Margaret Chance, we meet a middle-aged police officer whose world view is determined by her obsession with race, bloodlines and genetic determinism. The Susan Smith Tapes (made into a film for CBC and Showcase by Jeremy Podeswa) shows the famous American who drowned her two young sons trying to recapture the public's attention by auditioning for talk shows. And Dead Teenagers introduces us to a frustrated reverend unhealthily addicted to the spectacle of large funerals for murdered children.
Camera, Woman
'There are no lost women, only women who've forgotten their scripts.' RM Vaughan's play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.
Toronto Noir
A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive expos s. Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.
Parts Unknown
Once again proving that no subject matter is beyond his poetic grasp, Michael Holmes now takes on the carnivalesque world of professional wrestling. With humour and bone-cracking language, Parts Unknown bridges the artificial trenches that established cultural endeavours have dug between themselves and their ''lowbrow'' athletic neighbours. These high-flying poems strut to their own music and enter the literary ring ready to rumble.
Camera, Woman
'There are no lost women, only women who've forgotten their scripts.' RM Vaughan's play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.
Pervatory
LAMBDA LITERARY OCTOBER'S MOST ANTICIPATED LGBTQIA+ LITERATURE THE GLOBE AND MAIL TOP 30 CANADIAN BOOKS TO READ IN 2023 A novel about Berlin: a city for artists and libertines, a perfect place to find love and madness. When he tired of Toronto’s insular scene, art critic Martin Heather fled to Berlin, where he tried to sleep his way through the entire population of gay men. And then he met Alexandar, who began to tutor Martin in increasingly violent sex – and in love. Pervatory is a series of journal entries about Martin and Alexandar’s relationship. But interjections from the present, where Martin has been institutionalized, suggest that the hints we get of his increasing instability ...
Troubled
People fall in love with their therapists all the time. It's called transference. Troubled is brutally honest and erotically frank, a no-holds-barred confession of a patient/psychiatrist relationship gone horribly wrong. With his signature mix of scathing self-analysis and volatile wordplay, RM Vaughan brazenly documents how an innocent flirtation with his therapist escalated into a dangerous sexual misadventure. When the clandestine relationship goes awry, the consequences are heart-rending and career-ending. Based on circumstances that really happened to Vaughan and ended in legal proceedings and the suspension of the doctor's license, Troubled also includes documents from the investigation and legal cases interspersed amongst the poems. The therapist in question is currently practicing medicine again in British Columbia. 'Troubled is at once a disturbing Elizabeth Smart-like memoir charting the turns and culs-de-sac of an infatuation and an artful literary revenge. It's risky as Baked Alaska. What would it be like if all abused patients were endowed with such talent and courage?' - Don McKay 'A book by RM Vaughan is worth two by, say, most anyone else.' - Eye Weekly
Goodbye Horses
"Catullus (c. 84 - 53 BC) was raised in a leading equestrian family in Verona. At twenty he moved to Rome and fell in with a group of new poets, or neoteroi as Cicero called them, living a hedonistic existence for the better part of a decade. After his brother's death, Catullus' thoughts migrated home, perhaps to help with the family business and make a living to support a wife and family, something he would never achieve before his death at thirty. The pain of his brother's death, coupled with the pain of Lesbia's rejection and her unwillingness to marry him followed him until his final days. In Goodbye Horses, Nathaniel G. Moore reanimates the lion's share of Catullus' surviving poems in a...
What We Do Here Is for Us
A novel about Berlin: a city for artists and libertines, a perfect place to find love and madness. When he tired of Toronto's insular scene, art critic Martin Heather fled to Berlin, where he tried to sleep his way through the entire population of gay men. And then he met Alexandar, who began to tutor Martin in increasingly violent sex - and in love. What We Do Here Is for Us is a series of journal entries about Martin and Alexandar's relationship. But interjections from the present, where Martin has been institutionalized, suggest that the hints we get of his increasing instability and obsession with the idea that his apartment is haunted by an evil spirit may have led to something dire ... RM Vaughan was an astute art critic, a dazzling poet, and an important queer activist. His untimely death in October 2020 was a tremendous loss to the queer and literary communities. This novel is what he left for us.
Dr Sad
Stephen is middle-aged. He's gay. He's content, except when he isn't. Stephen is a teacher. He's a poet. He has a new teaching job in Kamloops, BC. Stephen has HIV. DR SAD is the story of one man's journey across Canada and through his diagnosis. It is the story of the distance between queer urban spaces and a small campus in a small city in small-town BC. It is the story of discovering the self within the world, and the world within the self, of discovering the difference between living a life and simply enduring one. This is a tragicomic cross-campus, cross-country romp that believes in the power of romance. Weaving together narratives of past and present, of Toronto's Gay Village and the streets of Kamloops, BC this lively and dynamic semi-autobiographical novel dives deeply into gender and queerness, class and privilege, and the realities of aging. It is a dynamic and engaging hybrid, stylistically daring while remaining intimate and human. Leaping through time and mixing the playfully serious with the seriously playful, DR SAD blends poetry with prose and finds the humour in despair in one complete, glittering tragedy of triumph
