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Voyagers
  • Language: en
  • Pages: 246

Voyagers

Prose writers have had it their own way for too long. At last, here is an anthology of poetry from New Zealand that captures the essence of science fiction: aliens, space travel, time travel, the end of the world - as well - as concepts you may not previously have thought of as science fiction. Fasten your seatbelts as editors Mark Pirie and Jim Jones present some of New Zealand's best poets - past and present - shining the flashlight of science fiction on our universe, and relishing the strange images that result. Bristling with insight, sections like Back to the Future, Apocalypse Now, Altered States, ET, When Worlds Collide and The Final Frontier will have you speculating right along with the poets.

The Situationist International in Britain
  • Language: en
  • Pages: 196

The Situationist International in Britain

This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arr...

The Course of English Surrealist Poetry Since the 1930s
  • Language: en
  • Pages: 344

The Course of English Surrealist Poetry Since the 1930s

  • Categories: Art

This study proposes that there has been a revival of surrealist poetry, and traces an uninterrupted thread of development in surrealism throughout 20th-century English poetry.

The Frontier of Writing
  • Language: en
  • Pages: 241

The Frontier of Writing

The Frontier of Writing: A Study of Seamus Heaney’s Prose is the first collection of essays solely focused on examining the Nobel prize winning poet’s prose. The collection offers ten different perspectives on this body of work which vary from sustained thematic analyses on poetic form, the construction of identity, and poetry as redress, to a series of close readings of prose writing on poetic exemplars such as Robert Lowell, Patrick Kavanagh, W.B Yeats, Ted Hughes, Philip Larkin and Brian Friel. Seamus Heaney’s prose is extensive in its literary depth, knowledge, critical awareness and its span. During the course of his life, he published six collections of prose entitled Preoccupati...

Perspectives on Self and Community in George Eliot
  • Language: en
  • Pages: 312

Perspectives on Self and Community in George Eliot

This text contains eight essays on the theme of perspective and perception in several of George Eliot's novels.

Landfall
  • Language: en
  • Pages: 760

Landfall

  • Type: Book
  • -
  • Published: 1995
  • -
  • Publisher: Unknown

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New Zealand National Bibliography
  • Language: en
  • Pages: 448

New Zealand National Bibliography

  • Type: Book
  • -
  • Published: 1982
  • -
  • Publisher: Unknown

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Real Fire
  • Language: en
  • Pages: 128

Real Fire

  • Type: Book
  • -
  • Published: 2001
  • -
  • Publisher: Unknown

None

American and British Poetry
  • Language: en
  • Pages: 512

American and British Poetry

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Nations of Nothing But Poetry
  • Language: en
  • Pages: 255

Nations of Nothing But Poetry

Modernism is typically associated with novelty and urbanity. So what happens when poets identify small communities and local languages with the spirit of transnational modernity? Are vernacular poetries inherently provincial or implicitly xenophobic? How did modernist poets use vernacular language to re-imagine the relations between people, their languages, and the communities in which they live? Nations of Nothing But Poetry answers these questions through case studies of British, Caribbean, and American poetries from the 1920s through the 1990s. With a combination of fresh insights and attentive close readings, Matthew Hart presents a new theory of a "synthetic vernacular"-writing that exp...