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The first comprehensive architectural and cultural history of condominium and cooperative housing in twentieth-century America. Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family house. As the American dream evolves, precipitated by rising real estate prices and a renewed interest in urban living, many predict that condos will become the predominant form of housing in the twenty-first century. In this unprecedented study, Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City’s first co-op, in 1881, to contemporary condominium and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture and family life. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
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At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Cities and towns are among humanity's greatest achievements, yet no single individual or organization creates them. The buildings, streets, and gardens of even a small town embody substantial investments of money, natural resources, and political capital. Much more than the sum of its parts, a settlement's vitality comes from its collective composition. Sometimes the cities and towns that emerge are glorious places, but too frequently they have only fragments of greatness or are soulless and environmentally unhealthy. Our new Architecture Brief Urban Composition shows architects, planners, artists, and engineers of individual projects how they can best fulfill their public trust to help make meaningful urban places. Each chapter contains a set of design queries followed by a discussion, illustrations, and references for further research. This accessible primer on urban design provides guidelines for designing buildings or plans for large cities or small towns. Urban Composition showcases projects across the United States and internationally, in metropolitan areas such as Chicago, Seattle, and London, and small communities such as Marfa, Texas.
Broadmoor Village, the little community that embodies the American ethic of independence, survives despite neighboring annexations, budget crises, and even Mother Nature. This subdivision was built in San Mateo County by the Stoneson Company just after World War II, targeting returning veterans and their families. Established before Henry Doelger made neighboring Westlake, Westmoor, St. Francis, and other communities since annexed by Daly City, Broadmoor has repeatedly chosen to stay unincorporated and independent. This attitude has shaped Broadmoor through the years to assert its autonomous stature while surrounded by larger cities.
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Young Ian Caine learns he is a descendant of the legendary King Arthur after he finds a ring on Glastonbury Tor, the current site of what once was the Isle of Avalon. The ring has strange symbols and writing on it which Ian discovers are similar to the name aEURoeCaledfwich,aEUR the name of King Arthur's legendary sword aEURoeExcaliburaEUR. Ian discovers that the ring allows him to time travel, but that's not all. Upon the initial use of the ring, Ian releases the sorceress, Morgan le Fay, who had been imprisoned in the ring by the wizard Merlin. Morgan informs Ian that she and her sisters forged the ring to give to King Arthur to help him defeat his enemies. Morgan further explains all the ...