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Shaken & Stirred
None
Conflicts in a Conflict
Conflicts in a Conflict outlines and analyzes the legal doctrines instructing the Israeli courts in private and civil disputes involving the Occupied Palestinian Territories of the West Bank and the Gaza Strip, since 1967 until the present day. This book's compelling thesis is the existence of a close relationship between conflict of laws doctrines as they developed over the years, and Israeli policies generally in respect of the Palestinian Territories. This study of the conflict of laws in a war setting and conflict of laws in a jurisdictionally ambiguous location, will greatly serve scholars and practitioners in similarly troubled and complex legal situations elsewhere.
A Growing Nation
This book, that has been 22 years in the making, is the first printing of the R.A. Miles Collection of the Southwest History from 1831 to 1889. It’s in chronological order by events and dates, and is a true and revealing account of the American history of the Southwest. It is an impartial, sometimes disconcerting, portrayal of the expanding United States westward. History is not always pleasant, but that is how it transpired sometimes in those years, and this book recounts both favorable and adverse events that need to be told.
The Publications of the Harleian Society
Includes reports, etc., of the Society.
Licence to Thrill
In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.
