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Francis Crick
This engrossing biography by one of molecular biology's foremost scholars reveals the remarkable evolution of Francis Crick's scientific career and insights into his personal life, from his early studies in biophysics, to the discovery of the structure of DNA, to his later work in neuroscience and the nature of consciousness.
We Have Roots Too!
"Anecdotes, tidbits and documents to provide insight into the lives of members of the Peterson, Freeland, gardner, Snider, Hurt and many other families of Tennessee, Kentucky, Virginia and North Carolina in the 18th, 19th and 20th centuries. Also, data on the Arnold family of Texas, the Ochs family of Tennessee and New York, the Wilder family of Vermont, the Barr family of Pennsylvania, and many others."--Back cover.
Maybe They're Not So Bad After All - Another look at some of the less popular animals in Newfoundland & Labrador
These are stories of animals in Newfoundland and Labrador that are often disregarded, disliked, or even feared. The stories weave together information about their biology with elements of the folklore and traditional knowledge that brings these creatures to life.
Reeling with Laughter
In this book, Tueth looks at some of the most enduring comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific sub-genre by examining a representative film. Tueth delves into the background of each film's production and discusses their audience reception and critical appraisal.
"I fart in your general direction!"
This exhaustive work on flatulence breaks new wind on every aspect of abdominal gas in popular culture. A definitive taxonomy of farts details the characteristics of each variety, including barking spiders, cheek squeakers and green apple dirties. Philosophical positions on colonic expression are examined, from Confucius, Hume, Voltaire and the existentialists. Chapters cover a wide range of fart-focused stand-up comedy, cinema, children's books, toys and merchandise. The author's postscript describes a lifetime preparing for his subject through fraternity membership and offbeat assignments as a newspaper journalist.
Black Frankenstein
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
Cinematic TV
Investigating the boundaries between media in an age of convergence, Cinematic TV constructs a new model for exploring how contemporary serial dramas quote, copy, and appropriate American cinema.
The Political Mel Brooks
The Political Mel Brooks analyzes both Mel Brooks’s more popular films and his lesser known work to explore how his use of parody and satire, his keen sense of the history of Jewish comedic conventions, and his deep awareness of social issues encompasses a political project that, while often implicit, nonetheless speaks to the enduring political and social impact of his films. Brooks’s work often employs a nuanced political style that acts as a social commentary against those in power and in favor of oppressed and misunderstood persons. This volume emphasizes Brooks’s political legacy and his masterful use of parody and satire to craft sophisticated political critiques of dominant culture. Contributors illustrate in a practical and accessible way how to explore how comedic films and television series can employ parody and satire not just to mock generic conventions, but also dominant political ideologies. Scholars of media, film, pop culture, political science, and communication studies will find this volume especially useful.
Accountancy
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Mel Brooks in the Cultural Industries
Which strategies has Mel Brooks used to survive, adapt and thrive in the cultural industries? How has he gained his reputation as a multimedia survivor? Alex Symons takes a unique, artist-focused approach in order to systematically identify the range of Brooks's adaptation strategies across the Hollywood film, Broadway theatre and American television industries.By combining a cultural industries approach together with that of adaptation studies, this book also identifies an important new industrial practice employed by Brooks - defined here as 'prolonged adaptation'. More significantly, Symons also employs this method to explain the so far neglected way that Brooks's adaptations have contributed towards changing production trends, changes in critical attitudes, and towards the ongoing integration of the cultural industries today. An essential read for film students and scholars researching adaptation, this refreshing new approach will also be valued by everyone studying the cultural industries.
