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Ruling Pine Ridge
"Reinhardt furnishes revealing portraits of Gerald One Feather, Dick Wilson, Russell Means; he offers a telling indictment of Pine Ridge's economy. He is one of the few historians who understands the distinction D'Arcy McNickle made decades ago between loss and defeat. He and the late Vine Deloria, Jr. would have welcomed this volume because of its thorough research and, above all, its unflinching honesty. Writing in 1970 Deloria called for historians to 'bring historical consciousness to the whole Indian story.' Ruling Pine Ridge achieves that goal. It will be required reading for all who care about not only the indigenous past but as well its connection to the problems of the present and t...
Twelve Great Books that Changed the University
Twelve scholars take us on a journey through twelve books that have defined the methodologies and orthodoxies of key disciplines within the university curriculum. These books have not only been formative for their respective disciplines, but have reshaped the university and continue to reframe our understanding of education. Each chapter places a Great Book in its historical context, summarizes the key ideas, and assesses the influence of the text on its discipline and society as a whole. In addition, each contributor offers an evaluation from a Christian perspective, explaining both the benefits of the book and the challenges it presents to a Christian worldview and philosophy of education.
Setting the Table
"A long-needed comparison between Spanish and Spanish colonial sites, showing how both inform us about Spanish identity at home and abroad."--Charles R. Ewen, coeditor of Pieces of Eight: More Archaeology of Piracy "The first systematic attempt to consider the eighteenth-century archaeological record in Spain and measure it against the decades-long research in St. Augustine. It is long overdue and valuable."--Russell K. Skowronek, coauthor of Ceramic Production in Early Hispanic California: Craft, Economy, and Trade on the Frontier of New Spain Examining ceramics from eighteenth-century household sites in Jerez de la Frontera, Spain, and St. Augustine, Florida, Setting the Table opens up new...
Lope de Vega on Spanish Screens, 1935–2020
This book provides an in-depth examination and analysis of the film and television adaptations of Lope de Vega’s theatrical dramas that have appeared on Spanish screens since the mid-twentieth century. Using a multidisciplinary approach, Allen draws on critical media literacy studies, film and adaptation studies, literary theory, cultural studies, and cultural historiography in his analysis. Allen argues that, given the problematic reception of Lope’s works in Francoist Spain, the canonical author never held a privileged position in the dictatorial propaganda machine. In fact, adaptations of Lope’s theater productions were subject to the same rigorous scrutiny, if not more, than any other screenplays that landed under censorship’s microscope. Allen analyzes adaptations produced during and after the nearly forty-year dictatorship and questions whether the adaptors of the democratic era created films and television shows that can sufficiently demonstrate how the spirit of Lope’s life and works can resonate with modern audiences. Scholars of film and television studies, adaptation studies, and history will find this book particularly useful.
You Are Tearing Me Apart, Lisa!
"When released in 2003, The Room, an obscure, self-financed relationship drama by Tommy Wiseau, should have been forgotten. And yet it has since become a cult classic, despite being crowned "the worst movie ever made" by many a critic. In You Are Tearing Me Apart, Lisa!, contributors explore this priceless cultural artifact, offering fans and film buffs critical insight into the movie's various meanings, historical context, and place in the cult canon. Even if by complete accident, The Room touches on many issues of modern concern, including sincerity, authenticity, badness, artistic value, gender relations, Americanness, Hollywood conventions, masculinity, and even the meaning of life. Revealing the timeless power of Wiseau's The Room, You Are Tearing Me Apart, Lisa! is a deeply entertaining deconstruction of an original work of all-American failure"--
Unruly Women
In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women’s deviance and rehabilitation, Unruly Women argues that women’s performances of penitence and punishment should be considered a significant factor in early modern Spanish life. Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women’s non-normative relationships to the topics of marriage, sex, and violence.
A Companion to Early Modern Hispanic Theater
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. Th...
Faith and Fraternity
In Faith and Fraternity Laura Branch provides the first sustained comparative analysis of London’s livery companies during the Reformation. Focussing on the Grocers and the Drapers, this book challenges the view that merchants were zealous early Protestants and that the companies to which they belonged adapted to the Reformation by secularising their ethos. Rather, the rhetoric of Christianity, particularly appeals to brotherly love, punctuated the language of corporate governance throughout the century, and helped the liveries retain a spiritual culture. These institutions comprised a spectrum of religious identities yet members managed to coexist relatively peacefully; in this way the liveries help us to understand better how the transition from a Catholic to a Protestant society was negotiated.
