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The Parthenon Code reveals, for the first time in 2,000 years, the meaning of the seven sculptural themes on Athena's temple. A simple, but hidden artists' code expressed on vase-paintings and the Parthenon sculptures, leads to the astonishing truth that Greek myth/art chronicles in great detail the reestablishment of the way of Kain (Cain) after the Flood.
If you’ve read "The Parthenon Code: Mankind’s History in Marble" by Mr. Johnson, you’re in for a further treat. "Noah in Ancient Greek Art" goes deeper into the true identity of Athena, identifying the real woman she represents—the one who came through the Flood on the ark as Ham’s wife. It sounds fantastic, but just wait and see. The evidence is overwhelming. In the early post-Flood world, this woman was so influential in promoting the resurgence of the way of Kain (Cain) that every Mediterranean and Mid-eastern culture idolized her, often using different names for different aspects and achievements of this “goddess.” If you haven’t yet read "The Parthenon Code," you’re in...
The hallmark of a healthy humanity is a genuine connection to the truth of our historical identity. History, simply put, is what happened. But how do we find our way to the origins of the human race thousands of years ago? We go back two and a half millennia to Greek artists who were closer to it, and whose marble sculptures and vase paintings bear a silent witness to the key characters and events described in the early chapters of the Book of Genesis, validating their reality. Here is some of what is revealed in this extraordinary book: Zeus' and Hera's connection to the serpent-entwined apple tree.Cain killing Abel depicted on the Parthenon.Seth-men depicted as Centaurs who seize Cain-women as their wives.The unique Greek depiction of Noah's Flood.The Cain-woman who survived the Flood as Ham's wife.The true landing site of Noah's ark in the mountains of Ararat.Naamah reconsecrates her grandson Nimrod to the way of Cain.Nimrod/Herakles usurps the authority of Noah.The Genesis serpent transfigured into Zeus.The Altar of Zeus in Pergamum is the throne of Satan in Revelation.The post-Flood Cainite onslaught against the line of Seth.The true identity of the Amazons.
An "exploration of Greek mythology and art ... [which interprets] the victory of Zeus and the gods over the giants as a triumph over the Yahweh-believing sons of Noah, and with it the demise of Greek humanity's faith in God"--Midwest Book Review.
Athena and Eden reveals the surprising identity of Athena and unlocks the long-hidden meaning of the sculptures which graced the east faade of her famous temple, the Parthenon. Greek myths tell us much about the sculptures, but the key to their correct interpretation lies elsewhere. The simple secret: Genesis and the Parthenon sculptures tell the same story from opposite viewpoints.
FROM SOWING ATHEISM: “I want to put on the table, not why 85% of the members of the National Academy of Sciences reject God, I want to know why 15% of the National Academy don’t . . . How come this number isn’t zero?” NAS Spokesman Neil deGrasse Tyson, p. 14 “The evo-atheists of the NAS cannot produce any actual evidence for the origin of life, for the emergence of the sexes, or for the evolution of one distinct kind of organism into another.” p. 16 To conceal the lack of evidence for its evo-atheism (evolutionist-atheism), the NAS resorts to repetitive false affirmations, disguised tautologies, authoritative obfuscations, baiting and switching, and smearing apostate Christian li...
A Rolling Stone-Kirkus Best Music Book of 2020 “[Brother Robert} book does much to pull the blues master out of the fog of myth.”—Rolling Stone An intimate memoir by blues legend Robert Johnson's stepsister, including new details about his family, music, influences, tragic death, and musical afterlife Though Robert Johnson was only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, his enduring recordings have solidified his status as a progenitor of the Delta blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive ...
The saga of the famed mountain man and Indian-hater. The film Jeremiah Johnson was based on this work.
Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In Persons and Things, Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a...
River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.