Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Shelley's Living Artistry
This study of the poetry and drama of Percy Bysshe Shelley reads the letters and their biographical contexts to shed light on the poetry, tracing the ambiguous and shifting relationship between the poet's art and life. For Shelley, both life and art are transfigured by their relationship with one another where the 'poet participates in the eternal, the infinite, and the one' but is equally bound up with and formed by the society in which he lives and the past that he inherits. Callaghan shows that the distinctiveness of Shelley's work comes to rest on its wrong-footing of any neat division of life and art. The dazzling intensity of Shelley's poetry and drama lies in its refusal to separate the twain as Shelley explores and finally explodes the boundaries between what is personal and what is poetic. Arguing that the critic, like the artist, cannot ignore the conditions of the poet's life, Callaghan reveals how Shelley's artistry reconfigures and redraws the actual in his poetry. The book shows how Shelley's poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against life, and poetry as a record of the emotional life of the poet.
Lessons of Romanticism
Explores how the Romantic period gave birth to a seductive cognitive cultural program that retains far reaching implications for contemporary views on individuality and relationships between the individual and larger groups of identification. Established
Final Stages of the New World and Rise of the Black Messiah Part 2
The Return of the Hidden Knowledge. In this World we have lost the art of Math, Astrology, and Reading. Computers now have databases which are the exact make of the human brain. We have failed for the divide and conquer. We are all one cell broken up into egos. We must show the creator that we can love again to save this planet and the human race. The New World is in the Final Steps. The Big Plan by the Elite the Top 1% has more money than the other 99% put together. First: Separate and divide the people by race. Second: Divide the men from the women. Third: Brainwash our kids with T.V. and school since mom has to work. Fourth: Control our money supply through Federal Reserve and IRS that sh...
Fleshing Out Skull & Bones
This chronicle of espionage, drug smuggling, and elitism in Yale University's Skull & Bones society offers rare glimpses into this secret world with previously unpublished documents, photographs, and articles that delve into issues such as racism, financial ties to the Nazi party, and illegal corporate dealings. Contributors include Anthony Sutton, author of America's Secret Establishment; Dr. Ralph Bunch, professor emeritus of political science at Portland State University; Webster Griffin Tarpley and Anton Chaitkin, authors and historians. A complete list of members, including George Bush, George W. Bush, and John F. Kerry, and reprints of rare magazine articles are included.
John Keats
This book considers Keats’s major poems as exercises in Romantic historicism. The poetry’s rich allusiveness represents Keats’s effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to define his contemporary cultural politics. The book begins by discussing Keats’s Cockney traditionalism in its Regency context and then proceeds through the poet’s career in chronological order. There are chapters on history and vocation in the poet’s first volume, the failed idealism of 'Endymion', gender and audience in the Medieval Romances, the 'Ode on a Grecian Urn' in historical context, secularism and consolation in the other great Odes, and then the two 'Hyperion' fragments, in which history ramifies beyond poetic method to become the explicit subject of inquiry. The result is a stimulating reassessment of Keats’s intellectual development and most admired poems.
Byron’s Poetry
Byron’s dubious status as a sex object, and his even more dubious status as a political icon, serves to disguise the fact that he is one of the greatest of all English poets, with a European reputation second only to Shakespeare. The fact that writers such as Goethe and Pushkin held him in the highest regard ensures that the English continue to despise him, and ignore his verse as much as possible. This book ignores his sexuality, his politics, and his iconography, and concentrates on his poems. Written by leading authorities such as Bernard Beatty, Germaine Greer and Michael O’Neill, it contains essays on his verse-forms and his comic rhymes, as well as thematic analyses on such recurrent Byronic themes as the Sea, Will-o’-the-Wisps, and Love versus Knowledge. In the face of many modern books which translate his verse into prose and try without success to analyse the result, Byron’s Poetry puts his real achievement – as a creative writer – back into the focus of discussion.
Romanticism, History, Historicism
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
