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Cumming Photographs
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Phenomenology and Deconstruction, Volume Three
Cumming also shows that conversion is not merely a personal predisposition of Sartre's--further manifest in his later conversions to Heidegger and to a version of Marxism. Conversion is also philosophical preoccupation, illustrated by the "conversion to the imaginary" whereby Sartre explains how he himself, as well as Genet and Flaubert, became writers. Finally, Cumming details how Husserl's phenomenological method contributed both to the shaping of Sartre's style as a literary writer and to his theory of style.
Phenomenology and Deconstruction, Volume Four
Cumming also shows that conversion is not merely a personal predisposition of Sartre's--further manifest in his later conversions to Heidegger and to a version of Marxism. Conversion is also philosophical preoccupation, illustrated by the "conversion to the imaginary" whereby Sartre explains how he himself, as well as Genet and Flaubert, became writers. Finally, Cumming details how Husserl's phenomenological method contributed both to the shaping of Sartre's style as a literary writer and to his theory of style.
Robert Cumming
In the "Curiosity" issue of Aperture magazine, Sarah Bay Gachot writes that Robert Cumming's interest in photography spawned from his interest in perception: "Cumming wanted the viewer to get to know, personally, the process of perception--perhaps to ward off the onset of visual inertia. The pictures unfold slowly over time; the more you look, the more you see." The Difficulties of Nonsense features Cumming's conceptual black-and-white and color photographs from the 1970s, revealing his fascination with illusion and trickery. From his base in Los Angeles, Cumming made functional-looking constructions, rendered useless and created primarily to be photographed with his 8-by-10 camera. Playing ...
Drugs and Pharmacy in the Life of Georgia, 1733-1959
Published in 1959, Robert Wilson's account of the development of the Georgia pharmacy system begins with the founding of the state and explains that the search for drugs was a main factor in the original colonization. As he traces the evolution of medicine, Wilson identifies the pioneering figures of pharmacy in Georgia, disease and drug problems that confronted the colony, self-diagnosis and home treatment, epidemics, and the advertising and sale of medicinal products. Wilson describes the struggles Georgia encountered, including the development of a State Board of Health, as it was created in 1875, disbanded in 1877, and resurrected twenty-five years later. He also highlights Georgia's many accomplishments, including granting a woman a pharmaceutical license in 1903.
Great Artists
Discover a refreshingly new approach to exploring the lives of 50 major painters in Great Artists. Using detailed annotation of key works as well as other contemporary images, Great Artists provides intriguing insights into the creative genius of artists from Michelangelo to Matisse, Canaletto to Klee and Hogarth to Hopper. The unique, visual approach of Great Artists is complemented by authoritative text that highlights important events in each artist's life, explains their techniques and stylistic trademarks, and outlines their personal development and intentions. The book's generous size and superb reproduction enable you to appreciate the fascinating detail of each work, while the detail...
Phenomenology and Deconstruction, Volume Two
In this final volume of Robert Denoon Cumming's four-volume history of the phenomenological movement, Cumming examines the bearing of Heidegger's philosophy on his original commitment to Nazism and on his later inability to face up to the implication of that allegiance. Cumming continues his focus, as in previous volumes, on Heidegger's connection with other philosophers. Here, Cumming looks first at Heidegger's relation to Karl Jaspers, an old friend on whom Heidegger turned his back when Hitler consolidated power, and who discredited Heidegger in the denazification that followed World War II. The issues at stake are not merely personal, Cumming argues, but regard the philosophical relevance of the personal.
Art Explained
This fascinating book takes a stunning, visual approach to exploring and deconstructing everything you could want to know about 45 of the world's favourite paintings. Introductory text sets the scene for each picture, then captions and numerious annotations guide the reader all around the work, detailing the painter's techniques and intentions and explaining the picture's meaning and symbolism. A short biography of each artist places the work in its appropriate personal and historical context. The book's generous size and accurate colour reproductions display every detail of each painting, allowing the reader to study and understand the outstanding qualities of each painting.
The Philosophy of Jean-Paul Sartre
First published in Great Britain in 1968, this is an authoritative introduction to the life of one of the greatest intellectual figures of the twentieth century. Prompted by the belief that none of the parts of Sartree(tm)s work is fully intelligible apart from the whole , this ambitious volume attempts to provide a synoptic view of Sartree(tm)s oeuvre in its entirety. The editor, Robert Denoon Cumming, has organised the work around certain concepts which are central to Sartrian thought, notably Consciousness in its relation to Being, to e~the Othere(tm), to Art, Literature, History and Society. The reader can see for himself how Sartree(tm)s aesthetic and highly individual existentialism of La Nause is systematically transformed into the neo-Marxist sociological theory of his Critique de la Raison dialectique. By a skilful process of editing, Professor Cumming has provided an authoritative introduction to the life of one of the greatest intellectual figures of modern times.
Ultimates
Finalist for the 2015 John N. Findlay Award in Metaphysics presented by the Metaphysical Society of America Robert Cummings Neville offers a new theology of the ultimate and a new theory of religion to back it up. The first volume in a trilogy, this book and companion volumes treating existence and religion advance a systematic philosophical theology to address first-order questions found in the array of Axial Age religions. Questions generally arising in the major religious traditions are interrogated with a dialectic of philosophical approaches. This volume begins the project with a consideration of ultimacy defined philosophically and illustrated in a wide range of traditions. To the ques...
