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RULES FOR BEING A MAN Don't Cry; Love Sport; Play Rough; Drink Beer; Don't Talk About Feelings But Robert Webb has been wondering for some time now: are those rules actually any use? To anyone? Looking back over his life, from schoolboy crushes (on girls and boys) to discovering the power of making people laugh (in the Cambridge Footlights with David Mitchell), and from losing his beloved mother to becoming a husband and father, Robert Webb considers the absurd expectations boys and men have thrust upon them at every stage of life. Hilarious and heartbreaking, How Not To Be a Boy explores the relationships that made Robert who he is as a man, the lessons we learn as sons and daughters, and the understanding that sometimes you aren't the Luke Skywalker of your life - you're actually Darth Vader.
Can you fall in love for the first time twice? A recently widowed women is about to find out when she wakes up and finds herself eighteen again in this "highly entertaining" story of second chances (Guardian) by the star of Peep Show Kate's husband Luke -- the man she loved from the moment she met him twenty-eight years ago -- died suddenly. Since then she has pushed away her friend and lost her job, and everything is starting to fall apart. One day, she wakes up in the wrong room and in the wrong body. She is eighteen again but remembers everything. This is her college room in 1992 on the first day of orientation. And this is the day she meets Luke. Kate knows how he died, and that he's already ill. But Luke is not the man that she lost: he's still a boy -- the annoying nineteen-year-old English student she first met. If they can fall in love again despite everything, she might just be able to save him. She's going to try to do everything exactly the same . . .
Humour.
New commentaries on Aleister Crowley’s Book of the Law reveal how it is connected to both Right- and Left-Hand Paths • Examines each line of the Book of the Law in the light of modern psychology, Egyptology, Gurdjieff’s teachings, and contemporary Left-Hand Path thought • Explores Crowley’s identification with the First Beast of Revelations as well as his adoption of the Loki archetype for becoming a vessel of love for all humanity • Recasts the Cairo Working as a text of personal sovereignty and a relevant tool for personal transformation • Includes commentary on the Book of the Law by Dr. Michael A. Aquino, who served as High Priest of the Temple of Set from 1975 to 1996 Rece...
More than any other male movie star, the refined Clifton Webb (1889-1966) caused the moviegoing public to change its image of a leading man. In a day when leading men were supposed to be strong, virile, and brave, Clifton Webb projected an image of flip, acerbic arrogance. He was able to play everything from a decadent columnist (Laura) to a fertile father (Cheaper by the Dozen and The Remarkable Mr. Pennypacker), delivering lines in an urbanely clipped, acidly dry manner with impeccable timing. Long before his film career began, Webb was a child actor and later a suavely effete song-and-dance man in numerous Broadway musicals and revues. The turning point in his career came in 1941 when his...
A non-Mormon theologian explains how Mormonism is a branch of the Christian family tree that extends well beyond what most Christians have ever imagined.
In an introduction to climate patterns that link isolated weather events, the authors review what is known about climate variability and its impact on populations and ecosystems.
NOW A MAJOR TV SERIES on Drama and UKTV Play ‘I want to be Judith Potts when I grow up’ Reader review ⭐⭐⭐⭐⭐
I don't know if you'll ever love me as much as I love you, but one day you'll understand why I've done this to you. Doris, born illegitimate in 1900, exchanges her budding teaching career for marriage and motherhood. When the war is over, her daughter Margaret marries an American and has Jackie, who becomes an archetypal 60s rebel. When Jackie can't face being a single mother, it is decided that baby Rosie will be brought up as Margaret's own. That's the plan anyway . . . Charlotte Keatley's award-winning play is a moving exploration of the relationships between mothers and daughters, and the consequences of breaking the most sacred taboo of motherhood. My Mother Said I Never Should is about the choices we make which determine the course of our lives and how it is never too late to change. This edition was published to coincide with the revival of the play at the St James Theatre, London, in 2016, starring Maureen Lipman and Katie Brayben.
“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.