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Ruskin and the Religion of Beauty
In this thought-provoking book, Robert De La Sizeranne explores the relationship between art, religion, and nature in the works of John Ruskin. He argues that Ruskin's ideas about the beauty of nature and the moral value of art are deeply rooted in his religious beliefs. With insightful analysis and elegant prose, Ruskin and the Religion of Beauty is a must-read for anyone interested in the intersection of art, religion, and nature in the writings of John Ruskin. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Pre-Raphaelites
In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris’ Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle (such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt) favoured realism and biblical themes over the academicism of the time. This work, with its captivating text and rich illustrations, describes with enthusiasm this singular movement which notably inspired Art Nouveau and Symbolism.
Pre-Raphaelites 120 illustrations
In the Victorian era, England – swept along by the Industrial Revolution, the Pre-Raphaelite fold, William Morris, and the Arts and Crafts movement – aspired to return to traditional values. Wishing to resurrect the pure and noble forms of the Italian Renaissance, a group of painters including John Everett Millais, Dante Gabriel Rossetti, and Edward Burne-Jones, favoured Realism and Biblical themes. This work, with its informed text and rich illustrations, enthusiastically describes this singular movement which provided the inspiration for Art Noveau and Symbolism.
Censorship of Political Caricature in Nineteenth-century France
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
The Architecture of the Museum
From the Louvre to the Bilbao Guggenheim and Tate Modern, the museum has had a long-standing relationship with the city. Examination of the meaning of museum architecture in the urban environment, considering issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Ranging from the seventeenth century to the present day, case-studies are drawn from Europe, South America and Australia. Contributions written by J.Birksted, V.Fraser, H.Lewi, D.J.Meijers and others.
