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Not so Quiet on the Set
  • Language: en
  • Pages: 346

Not so Quiet on the Set

  • Type: Book
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  • Published: 2008-05-15
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  • Publisher: iUniverse

"An extraordinarily entertaining look inside the film industry "-Pierce Brosnan, award-winning actor and producer A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America. Not So Quiet on the Set is Elvis Presley wishing for a normal life during a break in recording the soundtrack for Jailhouse Rock. It's dealing with street gangs and studio politics while making West Side Story. It's trying to stay alive while working side by side with John Wayne on The Alamo. It's crashing an authentic Nazi warplane against a hillside in Germany during The Great ...

Not So Quiet on the Set
  • Language: en
  • Pages: 348

Not So Quiet on the Set

  • Type: Book
  • -
  • Published: 2008-05
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  • Publisher: Unknown

"An extraordinarily entertaining look inside the film industry "-Pierce Brosnan, award-winning actor and producer A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America. Not So Quiet on the Set is Elvis Presley wishing for a normal life during a break in recording the soundtrack for Jailhouse Rock. It's dealing with street gangs and studio politics while making West Side Story. It's trying to stay alive while working side by side with John Wayne on The Alamo. It's crashing an authentic Nazi warplane against a hillside in Germany during The Great ...

Steve McQueen
  • Language: en
  • Pages: 378

Steve McQueen

The most detailed and revealing biography to date of a Hollywood great. Steve McQueen is that rare Hollywood combination of a classic actor and a style icon in the tradition of James Dean. ‘ The King of Cool’ , as he was dubbed, was at one time the highest-paid film star in the world, a status earned through his roles in films like The Magnificent Seven, Bullitt, The Thomas Crown Affair and The Great Escape. But he also turned down at least as many roles in classic films, including Breakfast at Tiffany’ s, Butch Cassidy and the Sundance Kid and The French Connection. This is the first biography to cover in detail every film that McQueen made, and to put him into the context of the movie business, showing how he had problems trying to be a Method actor where an exact contemporary like Clint Eastwood thrived at it, and how Eastwood understood the studio system and made it work for him, while an insecure McQueen struggled with his sense of himself, both on and off screen. It includes interviews with people who have never spoken about him before, and draws upon diaries in the private McQueen collection.

West Side Story as Cinema
  • Language: en
  • Pages: 220

West Side Story as Cinema

For millions of moviegoers unable to see the original stage version of West Side Story, director Robert Wise’s adaptation was a cinematic gift that brought a Broadway hit to a mass audience. Ernesto Acevedo-Muñoz argues that Wise’s film was not only hugely popular, but that it was also an artistic triumph that marked an important departure in the history of American movie making. With a score by Leonard Bernstein and choreography by Jerome Robbins, this update of the Romeo and Juliet story remains one of the most revered and highly popular American movie musicals, with only Singin’ in the Rain ranking higher in the AFI’s list of the best of the genre. Acevedo-Muñoz draws on previou...

Menacing Face Worth Millions: A Life of Charles Bronson
  • Language: en
  • Pages: 281

Menacing Face Worth Millions: A Life of Charles Bronson

  • Type: Book
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  • Published: 2011-09-30
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  • Publisher: Lulu.com

Menacing Face Worth Millions: A Life of Charles Bronson is the first definitive biography of legendary screen actor Charles Bronson. Charles Bronson was the silver screen legend who forever changed America's - and the world's - idea of the leading man's looks: a poverty-stricken young man who became one of the most popular, highly-paid film stars of his day. No movie that Charles Bronson ever made can equal the reclusive life he led and the contradictions of his own hidden self. In this definitive retelling of Bronson's life - the first fully documented biography of the star - Brian D'Ambrosio looks at the vigilante tough guy's life and legacy and explores the events and issues that made him emblematic of his time.

New York Magazine
  • Language: en
  • Pages: 88

New York Magazine

  • Type: Magazine
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  • Published: 1973-12-24
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  • Publisher: Unknown

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Literary Trips
  • Language: en
  • Pages: 378

Literary Trips

24 more tales representing the very best in travel writing, plus thoroughly researched guidebook information.

Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 1948

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

None

Film Review
  • Language: en
  • Pages: 364

Film Review

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

The Limits of Auteurism
  • Language: en
  • Pages: 283

The Limits of Auteurism

  • Categories: Art

The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.