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George Gissing
Provides in-depth analysis of the life, works, career, and critical importance of George Gissing.
George Gissing, Lost Stories from America
Five signed stories never before reprinted, a sixth signed story and seven recent attributions, this collection is edited with introduction and commentary by Robert L.Selig. It makes available to scholars and libraries the inaccessible works of George Gissing's earliest period, along with information about his Chicago exile. An extended introduction is followed by eleven stories, each accompanied by a separate commentary.
A Man of Many Parts
This comprehensive study of George Gissing's short stories and related non-fiction is essential reading for students of nineteenth-century realism. For the first time readers will be able to follow the development which transformed Gissing's unremarkable early stories into the very individual tales that elevated his work to the vanguard of realistic short fiction. Gissing's American period is notable for its accumulation of themes that were repeatedly refined and adapted for his later work, causality emerging as the dominant voice. On his return to England, shifting political and philosophical beliefs expressed in his non-fiction had a vital impact on his second phase of short fiction, and t...
The Heroic Life of George Gissing, Part I
This ambitious three-volume biography on Gissing examines both his life and writing chronologically and in close detail. Part I covers Gissing’s early life up until his establishment as a writer of moderate critical success.
A Garland for Gissing
The crown upon the continuing vitality and popularity of Gissing studies in the final decade of the twentieth century was the publication of The Collected Letters of George Gissing (1990-97). The editors of that mammoth undertaking, Paul Mattheisen, Arthur Young and Pierre Coustillas, had long been an inspiration to the younger generation of Gissing scholars, and their presence at the International George Gissing Conference at Amsterdam in September 1999 explained the success of the encounter between Gissing's older and younger critics. Ever since the reappraisal of Gissing's works began to get under way in the early 1960s through the publication of many new editions of the works and ground-...
Lives of Victorian Literary Figures, Part III, Volume 1
Elizabeth Gaskell, like her contemporary Emily Bronte, was from the north of England, though based in Lancashire and Cheshire rather than Yorkshire. Her first novel, Mary Barton (1848) was set in the north and was unusually realistic in its depiction of Manchester working-class life. Ruskin grew up in suburban London; in later life, he settled in the Lake District . Thomas and Jane Welsh Carlyle moved in the opposite direction - from rural Scotland to London's Cheyne Walk. This title focuses on writers for whom 'the centre' was a pressing concern. The three volumes that comprise a set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary persons: John Ruskin, Elzabeth Gaskell and the Carlyles.
The Victorian Diary
In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their...
Face Politics
The face is central to contemporary politics. In Deleuze and Guattari’s work on faciality we find an assertion that the face is a particular politics, and dismantling the face is also a politics. This book explores the politics of such diverse issues as images and faces in photographs and portraits; expressive faces; psychology and neuroscience; face recognition; face blindness; facial injury, disfigurement and face transplants through questions such as: What it might mean to dismantle the face, and what politics this might entail, in practical terms? What sort of a politics is it? Is it already taking place? Is it a politics that is to be desired, a better politics, a progressive politics...
