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Blood Frenzy
He Used A Claw Hammer. . . Frankie Cochran knew her boyfriend, David Gerard, was possessive, controlling, and prone to violent rages. When she tried to break up with him, Gerard threatened her with a hammer. One week later, he used it to club her in the head. Again. And again. Then he stabbed her in the throat--and left her for dead. . . And A Sharp Knife. . . Miraculously, Frankie survived--but cops began to suspect Gerard of other vicious crimes. One of his previous girlfriends had died in a house fire, along with her children and her mother. A local prostitute's brutalized body was found in a pool of blood. But it was the unsolved murder of another woman--repeatedly run over on a country road--that finally exposed Gerard as a rage-driven monster out of control. . . To Unleash His Rage Justice finally caught up with Gerard. Hounded by the tireless efforts of detectives and incriminated by DNA evidence as well as up-to-date forensics that matched the tire marks at a crime scene to Gerard's car, one of the Pacific Northwest's most dangerous killers was finally locked behind bars. With 16 pages of shocking photos!
The Medical Register
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Walk Towards the Gallows
On 5 July 1899 Hilda Blake, a 21-year-old maidservant in Brandon, Manitoba, who had come to Canada from England ten years earlier as an orphan immigrant, shot and killed her mistress. Two days after Christmas she was hanged, one of the few women in Canadian history to die for her crime. Blake unintentionally left a remarkable documentary record, ranging from Poorhouse records, courts dockets of custody and criminal cases in which she was the central figure, popular, journalistic, and professional assessments of her character, and a poem, 'My Downfall', that she penned in Brandon Gaol while awaiting execution. To explain why Hilda bought a gun and why she fired it, Kramer and Mitchell employe...
Congressional Record
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Passion, Craft, and Method in Comparative Politics
In the first collection of interviews with the most prominent scholars in comparative politics since World War II, Gerardo L. Munck and Richard Snyder trace key developments in the field during the twentieth century. Organized around a broad set of themes—intellectual formation and training; major works and ideas; the craft and tools of research; colleagues, collaborators, and students; and the past and future of comparative politics—these in-depth interviews offer unique and candid reflections that bring the research process to life and shed light on the human dimension of scholarship. Giving voice to scholars who practice their craft in different ways yet share a passion for knowledge about global politics, Passion, Craft, and Method in Comparative Politics offers a wealth of insights into contemporary debates about the state of knowledge in comparative politics and the future of the field.
