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Life cycle assessment enables the identification of a broad range of potential environmental impacts occurring across the entire life of a product, from its design through to its eventual disposal or reuse. The need for life cycle assessment to inform environmental design within the built environment is critical, due to the complex range of materials and processes required to construct and manage our buildings and infrastructure systems. After outlining the framework for life cycle assessment, this book uses a range of case studies to demonstrate the innovative input-output-based hybrid approach for compiling a life cycle inventory. This approach enables a comprehensive analysis of a broad r...
From Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country's history. Stretching from the medieval masterpieces of St. Columba's Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.
This brand new anthology is comprised of creative prose, non-fiction and poetry that ranges from St. Columba to the present day, all linked by the isle of Iona. Featuring specially commissioned work by Meaghan Delahunt, Jennie Erdal, Sara Lodge, Victoria Mackenzie, Candia McWilliam, Ruth Thomas, and Alice Thompson this wonderful collection will have broad historical and contemporary appeal. The Book of Iona is a celebration of one of Scotland's most beautiful islands and follows on from the success of The Book of St. Andrews (Polygon, 2007).
This collection of essays delves into the Coke brand to identify and decode its DNA. Unlike other accounts, these essays adopt a global approach to understand this global brand. Bringing together an international and interdisciplinary team of scholars, Decoding Coca-Cola critically interrogates the Coke brand as well its constituent parts. By examining those who have been responsible for creating the images of Coke as well as the audiences that have consumed them, these essays offer a unique and revealing insight into the Coke brand and asks whether Coca-Cola is always has the same meaning. Looking into the core meaning, values, and emotions underpinning the Coca-Cola brand, it provides a unique insight into how global brands are created and positioned. This critical examination of one of the world’s most recognisable brands will be an essential resource for scholars researching and teaching in the fields of marketing, advertising, and communication. Its unique interdisciplinary approach also makes it accessible to scholars working in other humanities fields, including history, media studies, communication studies, and cultural studies.
The author argues for a revised conception of international relations that acknowledges the irreconcilability of realist and idealist theories, and concerns itself instead with important substantive issues.
The Scottish Invention of English Literature explores the origins of the teaching of English literature in the academy. It demonstrates how the subject began in eighteenth-century Scottish universities before being exported to America and other countries. The emergence of English as an institutionalised university subject was linked to the search for distinctive cultural identities throughout the English-speaking world. This book explores the role the discipline played in administering restraints on the expression of indigenous literary forms, and shows how the growing professionalisation of English as a subject offered a breeding ground for academics and writers with an interest in native identity and cultural nationalism. This book is a comprehensive account of the historical origins of the university subject of English literature and provides a wealth of new material on its particular Scottish provenance.
Discussing English, American, Irish, Australian, and other writings, Crawford concentrates on Scottish literature, which furnishes the most extended and acute model of a culture concerned to maintain and develop its own identity while engaging with England's linguistic and political dominance. Starting with the eighteenth-century 'Scottish invention of English Literature', Crawford traces in Boswell, Burns, and others the evolution of a distinctively British Literature. This process culminated in Scott who, with Carlyle, encouraged nineteenth-century American writing and left rich legacies both to anthropology and to the literary Modernism of Eliot, Pound, Joyce, and MacDiarmid. This essentially provincial phenomenon of Modernism underwrites even Larkin, as well as such sophisticated post-British 'barbarian' poets as Heaney, Harrison, Dunn, Murray, and Walcott
Published simultaneously in Britain and America to mark the fiftieth anniversary of the death of T. S. Eliot, this major biography traces the life of the twentieth century’s most important poet from his childhood in the ragtime city of St Louis right up to the publication of his most famous poem, The Waste Land. Meticulously detailed and incisively written, Young Eliot portrays a brilliant, shy and wounded American who defied his parents’ wishes and committed himself to life as an immigrant in England, authoring work astonishing in its scope and hurt. Quoting extensively from poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Robert Crawf...
Holding in balance the ecological and the technological, ancient and modern, Full Volume sings languages and cultures, people and habitats burgeoning on the brink of extinction. From revved-up battle-cry to nervous whisper, these lyrical poems praise intricate abundance. Assured in its rhymes and cadences, Full Volume is often attentive to poetry in other tongues, not least Gaelic. As their tones and forms shift from the spiritual to the wry, from haiku to brosnachadh, the poems' resonance and music build into a sustained sounding of what it means to live, love, and listen in a world where 'Nothing is ever single'.
No writer is more charismatic than Robert Burns and no biographer has captured his energy, brilliance and radicalism as well as Robert Crawford does in The Bard. To his international admirers Burns was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was 'sprung...from raking of dung', and to his political enemies a 'traitor'. Drawing on a surprising variety of untapped sources - from rediscovered poetry by Burns to manuscript journals, correspondence, interviews and oratory by his contemporaries - this new biography presents the remarkable life, loves and struggles of the great poet. With a poet's insight and a shrewd sens...