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Surveying the major antiwar artists, art collectives, and iconic works, as well as offering an original typology of antiwar engagement, this is the first comprehensive history of American artistic protest against the Vietnam War.
Froebel-Parker's book about Friedrich Froebel and Baroness Bertha von Marenholtz-Buelow is the third in his "Ahnentafel" series. It was preceded by "Friedrich and the First Kindergarten" and "Grandma Harrington and the Queen's Wardrobe." In "The First Kindergarten: Friedrich Wilhelm August Froebel & Baroness Bertha Marie von Marenholtz-Buelow" the author expands the story of the founding of Kindergarten to include Friedrich Froebel's tireless friend and advocate, Baroness von Marenholtz-Buelow. Opening the doors of cultural luminaries and European nobility to Froebel's ideas, the noblewoman from the ancient von Buelow family is often dubbed "the mother of Kindergarten" just as Froebel is referred to as "the father of Kindergarten." In this historical novel, which includes much biographical information, Froebel-Parker joins through literature the lives and contributions of two of the world's greatest proponents of children's education which are still relevant today.
The field covered by Artificial Intelligence (AI) is multiform and gathers subjects as various as the engineering of knowledge, the automatic treatment of the language, the training and the systems multiagents, and more. This book focuses on subjects including Machine Learning, Reasoning, Neural Networks, Computer Vision, and Multiagent Systems.
A haunting fascination fuels our interest in the robot, the android, the cyborg, the replicant. Born in science fiction literature, the artificial human has come into its own in films, lurching to life, holding a mirror to humanity's soul. Beginning with a pre-history of the filmic robot, J. P. Telotte traces its development through early sci-fi landmarks such as Metropolis (1926), the alien films of the 1950s (including Forbidden Planet), and recent explorations of the artificial human in Blade Runner, Robocop, and the Terminator films. Replications also considers the tension between the technological wonders that science fiction depicts and the human values it champions. Film-makers employ the latest developments in technology to fashion ever more realistic human doubles, and then use them to explore what it means to be human. Telotte shows us how the sci-fi genre has always addressed changing cultural attitudes toward technology, the body, gender roles, human intelligence, reality, and even film itself.