You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Presents a chronology of the life of author Flannery O'Conner, comments and letters by the author about the story, and a series of ten critical essays by noted authors about her work
Robinson tells the story of a mind at work, focusing on Thoreau's idea of "natural life" as both a subject of study and a model for personal growth and ethical purpose. "The best, most thoughtful, most carefully worked out account of Thoreau's major ideas."--Robert D. Richardson, Jr., author of "Emerson: The Mind on Fire"
Boredom is a prevalent theme in Herman Melville's works. Rather than a passing fancy or a device for drawing attention to the action that also permeates his work, boredom is central to the writings, the author argues. He contends that in Melville's mature work, especially Moby Dick, boredom presents itself as an insidious presence in the lives of Melville's characters, until it matures from being a mere killer of time into a killer of souls.
In this revised edition Douglas Robillard updates the scholarship on his poetry through the introduction and notes. It contains entire texts of Battle-Pieces, John Marr and Other Sailors and Timeoleon. Selected cantos from Clarel are reprinted with accompanying notes and commentary.
The book revives literary theory, which was popular at the end of the 20th century, with the purpose of showing how useful it is in the current century in opening the minds of students to the dangers of claiming to have a fixed identity. The book shows that in Western cultures identity is a construct that always sees individuals as lacking something (being fallen) that can be retrieved or gained at the expense of an Other, an adversary seen as standing in the way of identity fulfillment. The book shows the history of "fallenness" through an analysis of Melville's Billy Budd, Faulkner's Absalom, Absalom!, Pynchon's The Crying of Lot 49. It also shows ways to heal identity through an analysis of Toni Morrison's Beloved and Rudolfo Anaya's Tortuga.
Herman Melville and Nathaniel Hawthorne met in 1850 and enjoyed for sixteen months an intense but brief friendship. Taking advantage of new interpretive tools such as queer theory, globalist studies, political and social ideology, marketplace analysis, psychoanalytical and philosophical applications to literature, masculinist theory, and critical studies of race, the twelve essays in this book focus on a number of provocative personal, professional, and literary ambiguities existing between the two writers. Jana L. Argersinger and Leland S. Person introduce the volume with a lively summary of the known biographical facts of the two writers’ relationship and an overview of the relevant scho...
“Out of many, one.” But how do the many become one without sacrificing difference or autonomy? This problem was critical to both identity formation and state formation in late 18th- and 19th-century America. The premise of this book is that American writers of the time came to view the resolution of this central philosophical problem as no longer the exclusive province of legislative or judicial documents but capable of being addressed by literary texts as well. The project of E Pluribus Unum is twofold. Its first and underlying concern is the general philosophic problem of the one and the many as it came to be understood at the time. W. C. Harris supplies a detailed account of the genea...
Genetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time. Through diverse case studies—from Charlotte Brontë to Stephen King—this collection demonstrates how the material processes of writing influence narrative structure, pacing, and even the ‘untold’. By integrating genetic criticism with narratological methods, contributors explore how stories evolve, providing fresh insights into time, space, character, and suspense. Bridging the gap between the production and reception of texts, this volume makes a compelling case for incorporating genetic methods into broader narratological frameworks, enhancing not only our understanding of the genesis of literary works, ultimately enriching the reading experience, but also our awareness of the ways we narrativise this genesis. The book will be of interest to students and researchers alike, offering a new set of tools for analysing narrative across different versions.
It is increasingly commonplace to find scholars who circle back to Ralph Waldo Emerson and his intellectual heirs as a way of better understanding contemporary social and aesthetic contexts. Why does Emerson's cultural legacy continue to influence writers so forcefully? In this innovative study, Randall Fuller examines the way pivotal twentieth-century critics have understood and deployed Emerson as part of their own larger projects aimed at reconceiving America. He examines previously unpublished material and original research on Van Wyck Brooks, Perry Miller, F.O. Matthiessen, and Sacvan Bercovitch along with other supporting thinkers. An engaging institutional history of American literary studies in the twentieth century, Emerson's Ghosts reveals the unexpected convergent forces that have shaped American cultural history in lasting ways.
KP is a publication platform related to architecture, design, projects and living spaces offering refined information to its readers.