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William Blake at the Huntington
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.
The Grave. a Poem
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
William Blake, Printmaker
The Description for this book, William Blake, Printmaker, will be forthcoming.
William Blake and the Language of Adam
Setting William Blake's language concepts and practices within the broad context of linguistic history, this book offers a new perspective on his poetry. Essick first looks in detail at four of Blake's paintings and addresses some basic questions in semiotic theory based on the history of the "motivated sign" idea from Plato to Wilhelm von Humboldt. Converting this background into a hermeneutic, he then demonstrates Blake's contributions to the mystical tradition and his critique of 18th-century linguistic doctrines, presenting a parodic deconstruction of rationalist sign theory in The Book of Urizen. Finally, Essick looks at Blake's compositional practices, his development of these into a transactional view of language, and the apocalyptic reordering of the relationship between meaning and being in Jerusalem.
William Blake
In his illuminated books,William Blake combined his handwritten text with his exuberant imagery on pages the like of which had not been seen since the great decorated books of the Middle Ages. To read such books as Jerusalem, America and Songs of Innocence and of Experience in cold letterpress bears no comparison to seeing and reading them as Blake conceived them, infused with his sublime and exhilarating colours. At times tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction and liberation. This edition, produced together with The William Blake Trust, contains all the pages of Blakes twenty or so illuminated books reproduced in true size, an appendix with all Blakes text set in type and an introduction by the noted Blake scholar, David Bindman. They can at last become part of the lives of all lovers of art and poetry.
William Blake and the Cultures of Radical Christianity
This study traces the links between William Blake's ideas and radical Christian cultures in late eighteenth-century England. A detailed and historically-grounded study of a key literary figure, this book should appeal to Blake scholars and historians with an interest in the radical and religious culture of late eighteenth and early nineteenth century England. New research on Blake's links to, and reaction against, the Swedenborg New Church make this study a valuable addition to scholarship in this area.
Drawings of William Blake
The artist and poet are clearly revealed in these reproductions of Blake's pencil drawings
Words of Eternity
William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, ...
Genesis
William Blake drew inspiration from the Bible throughout his life. Shortly before his death in 1827, he began an illuminated manuscript of the Book of Genesis, revisiting such key themes as creation, division, and forgiveness. This edition of Blake's Genesis provides a full-size reproduction of the Huntingdon Library's manuscript.
