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First published in 2004, this is the fourteenth annual volume published under the auspices of the Elections, Public opinion and Parties (EPOP) specialist group of the Political Studies Association (PSA) of the United Kingdom. The 2003 September Cardiff conference was distinguished by the First Minister for Wales, Rt Hon. Rhodri Morgan AM. This is a collection of twelve papers from the conference and a reference section.
Critic, novelist, filmmaker, jazz musician, painter, and, above all, poet, Weldon Kees performed, practiced, and published with the best of his generation of artists—the so-called middle generation, which included Robert Lowell, Elizabeth Bishop, and John Berryman. His dramatic disappearance (a probable suicide) at the age of forty-one, his movie-star good looks, his role in various movements of the day, and his shifting relationships with key figures in the arts have made him one of the more intriguing—and elusive—artists of the time. In this long-awaited biography, James Reidel presents the first full account of Kees’s troubled yet remarkably accomplished life. Reidel traces Kees...
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Autho...
Those who do not have their heads buried too deeply in partisan sands will know that there is something awry with the American form of electoral democracy. Florida's continuing ability to misplace votes recently and in the 2000 Presidential election is only part of the iceberg we have been made privy to-and Steven Schier takes a good, hard, evaluative look not only at what is there in plain sight, but that which lurks below the surface (and not only in Florida and not only with the electoral college). He further proposes practical improvements that will make our surprisingly peculiar democratic processes healthy, whole, and responsive again. Identifying four essential evaluative criteria for...
The recent fascination in Finnish folklore studies with popular thought and the values and emotions encoded in oral tradition began with the realisation that the vast collections of the Finnish folklore archives still have much to offer the modern-day researcher. These archive materials were not only collected by scholars, but also by the ordinary rural populace interested in their own traditions, by performers and their audiences. With its myriad voices, this body of source material thus provides new avenues for the researcher seeking to penetrate popular thought. What does oral tradition tell us about the way its performers think and feel? What sorts of beliefs and ideas are transmitted in...
This prose translation of Finland's national folk epic vividly recounts the folkways of Kaeol-Finnish peasant life.
Sutartinės, the especially ancient form of, often sacred, Lithuanian music, is enjoying a renaissance, mostly in Lithuania’s cities. Since UNESCO recognized these unique dissonant sounds originating from Lithuania’s Aukštaitija ‘Uplands’ ethnographic region as part of our Intangible Cultural Heritage in 2010, in-depth studies have flourished. This book presents the latest analogies discovered in distant examples of the genesis and ethnogenesis of foreign folk music examples, not only in neighboring lands but as far away as the Ainu subculture of Japan. It presents the latest findings and analyses of the hymns once said to be conveyed by laumės, mythical beings later demoted to witches during this music’s demise. This study supplements perceptions from Lithuanian and foreign ethno-musicologists with data from ethnology, archaeology, linguistics and other sciences and areas of scholarship, and thereby encourages even more studies in this field.
Scholars from a variety of academic disciplines have been drawn into exhaustive analyses of what went wrong in "the terrible 20th Century", as Winston Churchill dubbed it. In this book Stuart Scheingold adds political novels to those inquiries and argues that they make a distinctive and hitherto neglected contribution to the collective memory of the 20th Century. These fictional accounts are the work of some of the century's most celebrated novelists: Kafka, Heller, Boll, Grass, Vonnegut and others. As refracted through the literary imagination, the "terrible" 20th Century takes on new meaning that tends to elude historians and social scientists. Novelists peer into the shattered lives, the moral dilemmas, and the emotional chaos of the century, thus viewing a collective catastrophe through the everyday lives of victims, victimizers, temporizers, opportunists, true believers, and those who simply averted their eyes. In so doing, these novelists reveal, sometimes prophetically, the etiology of catastrophe, and both deepen our memory of the past and help us to think more clearly about the future.