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The Man in the Banana Trees
The stories in The Man in the Banana Trees take place in the past, present, and future—from the American Gulf South to the orbit around Jupiter. We meet teachers and students, ghosts and aliens. An ice cream consultant in the year 2036 predicts a devastating flavor trend and a disgruntled New England waiter investigates a mysterious tanker crash. Although wildly varied in setting, length, and genre, a thread of the fantastic unites these stories, as characters struggle to understand that thing lurking at the edge of their perception: something sinister, or maybe—miraculous.
You Never Get It Back
The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
Outside In
"My behavior is not a Yankee's behavior. It just is not, no matter what. My family was Italian, and different from most other Italian immigrants. We did not need to melt in. We did not need to assimilate, because of who we were and what we came from. While other people were painting themselves red, white, and blue, we talked Italian, absorbed our family's history, and thought of ourselves as being what we always were. In the deepest sense, I was never taught to be a Yankee, which is a fact that comes out in any number of the things that I do and try to accomplish. Some people have the feeling that what I write and say is too subtle, or perhaps manipulative; or that I behave a bit outlandishly; but those people do not put what I do in the context of Italy, in the context of that very old, very subtle, very complicated society, which I come from"--
No Use Pretending
The characters in these stories have been forced into conditions of life that they find unbearable, and the stories chart their often tragically misguided attempts to relieve their suffering via connections with other people or through the pursuit of addictive attachments (to opiates in one story, to sleep in another). This collection encompasses diverse genres, from ecologically informed realism to a Kafkaesque fairy tale, from fabulist “weird fiction” to an episode from The Odyssey that becomes a meditation on what distinguishes human beings from animals. These stories invite the reader to reconsider moral and ideological certainties, to take a fresh look at such issues as fracking and drone warfare. In one story, a petroleum engineer discovers that one of his wastewater wells may be causing earthquakes, and in another the pilot of an Air Force drone seeks to reconcile his conflicting roles as protector and executioner, husband and soldier. The scientist and the serviceman are both presented with problems that have no easy or obvious solutions, situations that force them to confront the messy, compromising complexity of being human.
Not a Thing to Comfort You
From a lightning death on an isolated peak to the intrigues of a small town orchestra, the glimmering stories in this debut collection explore how nature—damaged, fierce, and unpredictable—worms its way into our lives. Here moths steal babies, a creek seduces a lonely suburban mother, and the priorities of a passionate conservationist are thrown into confusion after the death of her son. Over and over, the natural world reveals itself to be unknowable, especially to the people who study it most. These tales of scientists, nurses, and firefighters catalog the loneliness within families, betrayals between friends, and the recurring song of regret and grief.
The Best of the Bellevue Literary Review (Large Print 16pt)
Founded just six years ago, Bellevue Literary Review is already widely recognized as a rare forum for emerging and celebrated writers - Julia Alvarez, Raphael Campo, Rick Moody and Abraham Verghese among them - on issues of health and healing. Gat...
Stories No One Hopes Are about Them
At once playfully dark and slyly hopeful, Stories No One Hopes Are about Them explores convergences of power, privilege, and place. Big things happen in this collection. But it's also a collection of small intimacies: misremembered names, chipped teeth, and private rituals; unexpected alliances and barely touched knees beneath uniform skirts; minutiae of the natural world; incidents that quietly, achingly, and delightfully transgress the familiar.
The Woods
The Woods explores the lives of people in a small Vermont college town and its surrounding areas—a place at the edge of the bucolic, where the land begins to shift into something untamed. In the tradition of Elizabeth Strout’s Olive Kitteridge and Sherwood Anderson’s Winesburg, Ohio, these stories follow people who carry private griefs but search for contentment. As they try to make sense of their worlds, grappling with problems—worried about their careers, their marriages, their children, their ambitions—they also sift through the happiness they have, and often find deep solace in the landscape. What do we find in the woods? An uplifting of spirit or a quieting of sorrow. A sense ...
What Counts as Love
Longlisted for the 2018 PEN America Literary Awards In these nine stories, Marian Crotty inhabits the lives of people searching for human connection. Her characters, most often young women, are honest, troubled, and filled with longing. The stories are set in Arizona, North Carolina, Pennsylvania, Maryland, and the Persian Gulf, and often touch on themes of addiction, class, sexuality, and gender. What Counts as Love is a poignant, often funny collection that asks us to take it and its characters seriously.
Happy Like This
The characters in Happy Like This are smart girls and professional women—social scientists, linguists, speech therapists, plant physiologists, dancers—who search for happiness in roles and relationships that are often unscripted or unconventional. In the midst of their ambivalence about marriage, monogamy, and motherhood and their struggles to accept and love their bodies, they look to other women for solidarity, stability, and validation. Sometimes they find it; sometimes they don’t. Spanning a wide range of distinct perspectives, voices, styles, and settings, the ten shimmering stories in Happy Like This offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.
