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Augustine and Literature
The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.
A Reader's Companion to Augustine's Confessions
This book is a tool for teaching and studying the great Christian classic, Augustine's Confessions. It is a unique venture in which thirteen different scholars look at each of the thirteen books in the Confessions and interpret their chapters in light of that book and in light of the rest of Augustine's work. The result is that the richness and ambiguity of Augustine's work shines through as well as the richness and ambiguity of different readings of the Confessions.
Evil and Creation
"My help comes from the Lord, maker of heaven and earth." Evil is an intruder upon a world created by God and declared good. Scripture emphasizes this: laments are regularly juxtaposed with declarations of God as creator. But evil is not merely a problem for the doctrine of creation. Rather, the doctrine of creation provides a hopeful response to evil. In Evil and Creation, David J. Luy, Matthew Levering, and George Kalantzis collect essays investigating how the doctrine of creation relates to moral and physical evil. Essayists pursue philosophical and theological analyses of evil rather than neatly solving the problem of evil itself. Including contributions from Constantine Campbell, Paul Blowers, and Paul Gavrilyuk, this volume draws upon biblical and patristic voices to produce constructive theology, considering topics ranging from vanity in Ecclesiastes and its patristic interpreters to animal suffering. Readers will gain a broader appreciation of evil and how to faithfully respond to it as well as a renewed hope in God as creator and judge.
Before Truth
It’s frequently said that we live in a “post-truth” age. That obviously can’t be true, but it does name a real problem on our hands. Getting things right is hard, especially if they’re complicated. It takes preparation, diligence, and honesty. Wisdom, according to Thomas Aquinas, is the quality of right judgment. This book is about the problem of becoming wise, the problem “before truth.” It is about that problem particularly as it comes up for religious, philosophical, and theological truth claims. Before Truth: Lonergan, Aquinas, and the Problem of Wisdom proposes that Bernard Lonergan’s approach to these problems can help us become wise. One of the special problems facing Christian believers today is our awareness of how much our tradition has developed. This development has occurred along a path shot through with contingencies. Theologians have to be able to articulate how and why doctrines, institutions, and practices that have developed—and are still developing—should nevertheless be worthy of our assent and devotion.
God and Self in the Confessional Novel
God and Self in the Confessional Novel explores the question: what happened to the theological practice of confession when it entered the modern novel? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s The Sorrows of Young Werther, Dostoevsky’s Notes from Underground, Percy’s Lancelot, and McEwan’s Atonement to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century.
Giving the Devil His Due
Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-first-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.
