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Hagia Sophia, 1850-1950
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that t...
Critical Terms for Art History, Second Edition
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but ...
Monuments and Memory, Made and Unmade
Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.
Iconography of Preface and Miniature in the Byzantine Gospel Book
This volume of the College Art Association Monograph series presents a study of the iconography of preface and miniature in the Byzantine gospel book.
San Marco, Byzantium, and the Myths of Venice
Henry Maguire, emeritus professor of art history at Johns Hopkins University, works on Byzantine and related cultures. He has written extensively on Venetian art and the church of San Marco.
Visuality Before and Beyond the Renaissance
How do people understand vision and the act of seeing? What is the eye and how is it understood to be connected to the brain? How do people look at gods and how do the gods look at people? And what can images tell us about these processes? Visuality Before and Beyond the Renaissance examines the phenomenon of 'seeing' through a study of art works from ancient Mesopotamia, China, Africa and European works ranging from antiquity to the early modern period. It demonstrates that in ancient and distant societies, the act of seeing has been and is understood in diverse ways with consequences for the production of art, the practice of religion, and the individual's perception of her world and herself. Treating diverse cultures and using a variety of methods from the humanities, social sciences, and sciences, this book exposes the cultural contexts in which visual perception develops.
Approaching the Holy Mountain
The first comprehensive study of the monastery of St Catherine at Mt Sinai in its full historical, art historical, and religious dimensions, the nineteen collected essays in Approaching the Holy Mountain provide a unique view of the longest continuously inhabited Christian monastery. As an important pilgrimage site, Sinai enjoyed an international reputation in the Middle Ages. The monastery also benefited from regional connections to Egypt and the Holy Land. The essays in this volume examine the pilgrims, monks, artists, builders, and scholars who came to the mountain and left their marks on the monastery and its holdings, as well as the image of the monastery that was promoted outside of Si...
The Old Testament in Byzantium
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Economics as Religion
Robert Nelson’s Reaching for Heaven on Earth, Economics as Religion, and The New Holy Wars: Economic Religion Versus Environmental Religion in Contemporary America read almost like a trilogy, exploring and charting the boundaries of theology and economics from the Western foundations of ancient Greece through the traditions that Nelson identifies as “Protestant” and “Roman,” and on into modern economic forms such as Marxism and capitalism, as well as environmentalism. Nelson argues that economics can be a genuine form of religion and that it should inform our understanding of the religious developments of our times. This edition of Economics as Religion situates the influence of his work in the scholarly economic and theological conversations of today and reflects on the state of the economics profession and the potential implications for theology, economics, and other social sciences.
Later Byzantine Painting
Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.
