Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Robert Taylor
Robert Taylor was one of Hollywood's biggest stars for over thirty-years and starred in such classic films as Magnificent Obsession, Camille, A Yank at Oxford, Waterloo Bridge, Johnny Eager, Quo Vadis, Ivanhoe and The Last Hunt. He worked with the cream of Hollywood leading ladies: Irene Dunne, Joan Crawford, Greta Garbo, Vivien Leigh, Lana Turner, Katharine Hepburn and Barbara Stanwyck, who he later married, just to name a few. An open and friendly man who usually tried to avoid controversy, Taylor stepped into it when he became a so-called friendly witness appearing before the House Un-American Activities Committee during the height of the Washington investigations into alleged Communism in Hollywood. It has haunted his reputation to this day. A happy second marriage to actress Ursula Thiess produced two children and gave Taylor a contentment he lacked in his earlier marriage. Author Charles Tranberg takes a fresh look at the actor who was once called, "The man with the perfect profile." This book also takes a fascinating look at the Hollywood Studio system which existed during Taylor's hey-day.
Robert Taylor
Because of his lengthy screen resume that includes almost eighty appearances in such movies as Camille and Waterloo Bridge, as well as a marriage and divorce to actress Barbara Stanwyck, Robert Taylor was a central figure of Hollywood’s classical era. Despite this, he can be regarded as a “lost” star, an interesting contradiction given the continued success he enjoyed during his lifetime. In Robert Taylor: Male Beauty, Masculinity, and Stardom in Hollywood, author Gillian Kelly investigates the initial construction and subsequent developments of Taylor's star persona across his thirty-five-year career. By examining concepts of male beauty, men as object of the erotic gaze, white Americ...
Major
John Major succeeded Margaret Thatcher as Prime Minister, but his initial popularity soon faded with the devaluation of the sterling, his achievement at Maastricht which brought division to his party and he oversaw the longest recession since WW2.
Robert Taylor - Air Combat Paintings
This second volume of Robert Taylor's aviation paintings features a collection of the artist's most recent work.
Reluctant Witness: Robert Taylor, Hollywood & Communism
Robert Taylor was a reluctant, yet active, witness to history-Hollywood's, the country's, his own. He was dubbed "The Man With the Perfect Profile." Reluctant Witness: Robert Taylor, Hollywood & Communism goes inside the personality to find the flesh-and-blood man underneath. The actor's meteoric rise was credited to his "pretty boy" looks, an image encouraged by MGM when studios owned their actors and created public personas. This, coupled with the sheltered, almost emasculating childhood he had endured, created in him a survivor who rose above family, the studio system, Barbara Stanwyck, and, as what he considered to be a curse, one of the most beautiful male faces in Hollywood history. Th...
The Maritime Paintings of Robert Taylor
A collection solely devoted to Robert Taylor's maritime paintings, accompanied by anecdotal commentary on each piece by the artist. Over 50 works are shown, together with a collection of pencil drawings.
Reconstructing Rawls
Reconstructing Rawls has one overarching goal: to reclaim Rawls for the Enlightenment—more specifically, the Prussian Enlightenment. Rawls’s so-called political turn in the 1980s, motivated by a newfound interest in pluralism and the accommodation of difference, has been unhealthy for autonomy-based liberalism and has led liberalism more broadly toward cultural relativism, be it in the guise of liberal multiculturalism or critiques of cosmopolitan distributive-justice theories. Robert Taylor believes that it is time to redeem A Theory of Justice’s implicit promise of a universalistic, comprehensive Kantian liberalism. Reconstructing Rawls on Kantian foundations leads to some unorthodox conclusions about justice as fairness, to be sure: for example, it yields a more civic-humanist reading of the priority of political liberty, a more Marxist reading of the priority of fair equality of opportunity, and a more ascetic or antimaterialist reading of the difference principle. It nonetheless leaves us with a theory that is still recognizably Rawlsian and reveals a previously untraveled road out of Theory—a road very different from the one Rawls himself ultimately followed.
