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Fragmented Memory
Chance, in addition to the unavoidable ambiguity caused by time, is one of the main guilty parties in the transmission of ancient texts – or lack thereof. However, the same cannot be said for what concerns the mechanisms of selection and loss of historical and literary memory, where the voluntary awareness of obscuring is often part of a precise aim, thus leading the cultural memory of a literate society to become fragmented. The present volume explores the devices and criteria of selection and loss in Ancient and Medieval texts and the subsequent fragmentation of such literature, but it also addresses the questions of the damnatio memoriae, of literary strategies such as reticence and omi...
thersites 18
thersites is an international open access journal for innovative transdisciplinary classical studies edited by Annemarie Ambühl, Filippo Carlà-Uhink, Christian Rollinger and Christine Walde. thersites expands classical reception studies by publishing original scholarship free of charge and by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present. thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently s...
Maximianus’ ‘Elegies’
This book is the first study to focus on a metaliterary interpretation of Maximianus’ Elegies, and aims to fill a major gap in international literature concerning the thoughts of the last love elegist on the evolution and renovation of the genre of love elegy during Late Antiquity. The book includes all known subjects of Maximianus’ poetry (e.g., the division of his work into six elegies, its attribution to Cornelius Gallus by Pomponius Gauricus in 1502, its reception in recent years, the intellectual milieu of the Ostrogothic Italy, the historical contextualization of his poetry, the Appendix Maximiani, the impact of the Augustan love elegy (and especially Ovid’s) upon it, etc.), in o...
The Ordered Day
Traces how the day has served as a key organizing concept in Roman culture—and beyond. How did ancient Romans keep track of time? What constituted a day in ancient Rome was not the same twenty-four hours we know today. In The Ordered Day, James Ker traces how the day served as a key organizing concept, both in antiquity and in modern receptions of ancient Rome. Romans used the story of how the day emerged as a unit of sociocultural time to give order to their own civic and imperial history. Ancient literary descriptions of people's daily routines articulated distinctive forms of life within the social order. And in the imperial period and beyond, outsiders—such as early Christians in the...
The Continuity of Classical Literature Through Fragmentary Traditions
Fragmentary texts play a central role in Classics. Their study poses a stimulating challenge to scholars and readers, while its methods and principles, far from being rigidly immutable, invite constant reflection on its methods, approaches, and goals. By focusing on some of the most relevant issues that fragmentologists have to face, this book contributes to the ongoing and lively debate on the study of fragmentary texts. This volume contains an extensive theoretical introduction on the study of textual fragments, followed by eight essays on a wide variety of topics relevant to the study of fragmentary texts across literary genres. The chapters range from archaic Greek epics (the Hesiodic co...
The Greco-Egyptian Magical Formularies
Essays on the magical handbooks of Greco-Roman Egypt
Regents' Proceedings
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Novel Perspectives on Communication Practices in Antiquity
Documents such as papyri and inscriptions are essential to our knowledge of ancient history in a broad sense. This volume turns the attention to the texts themselves, and explores in an interdisciplinary way how people communicated with each other in antiquity.
Greek Declamation and the Roman Empire
A Greek declamation was an 'imaginary speech': a fictitious speech composed for a rhetorical scenario set in Classical Greece. Although such speeches began as rhetorical exercises, under the high Roman empire they developed into a full-blown prestigious genre in their own right. This first monograph on Greek declamation for nearly forty years re-evaluates a genre that was central to Greek imperial literature and to ancient and modern notions of the 'Second Sophistic'. Rejecting traditional conceptions of the genre as 'nostalgic', this book considers the significance of Greek declamation's re-enactment of classical history for its own times, and integrates the genre into the wider history of the period. It shows through extended readings how the genre came to constitute a powerful and subtle instrument of identity formation and social interaction, and a site for free thinking on issues of major contemporary importance such as imperialism and inter-polis relations.
