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Roberto Bellucci
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Roberto Bellucci
Roberto Bellucci è nato a Roma, all'età di cinque anni i genitori si trasferiscono a Mogadiscio, ha vissuto la Repubblica Democratica Somala perché il padre lavorava per Alitalia come direttore tecnico della Somali Airlines. Oggi vive a Napoli dopo aver lavo-rato nel campo dell'Aeronautica. Inizia a dipingere nel 1978 senza un percorso accademico per non perdere la propria identità artistica e sviluppare le proprie esigenze di ricerca artistica. Il colore ha preso il sopravvento sul disegno che amava eseguire. Toglie il colore alla tela in un gioco di frammentazione cromatica nel tentativo di definire il male che lo circonda per farlo diventare accettabile. Roberto entra nella sofferenza...
Piero della Francesca: Personal Encounters
Prominent Renaissance scholars reveal new insights into Piero’s life and work based on a study of his exquisite small panel paintings.
The Panel Paintings of Masaccio and Masolino
The book is the result of a study begun in 1995 of the panel paintings of Masolino and Masaccio. A team from the Opificio delle Pietre Dure, Italy, joined by colleagues from the National Gallery in London and the Philadelphia Museum of Art visited museums in Europe and the United States that own paintings by these two Renaissance masters. This research, supported by the Samuel H. Kress Foundation, investigated the painting technique of the artists in ways that even a few years before would not have been possible. The study has led to a greater understanding of the nature of the collaboration of the two artists and the chronology of their work. Fine examples of Masaccio underdrawing have been revealed, as well as Masolino's innovative use of oil mediums. The Panel Paintings of Masolino and Masaccio includes an introduction by Carl Brandon Strelke summarising the results and reviewing the usefulness of laboratory research for art history. A major essay by Roberto Bellucci and Cecilia Frosinini int
Sassetta
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. To produce this volume, experts in art and general history have joined forces across the boundaries of eight different nations to explore Sassetta's work.
Cinq poemes d'amour
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Polychrome Art in the Early Modern World
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Caravaggio
As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Cataract
The topics of this volume on cataract surgery range from prevention to state-of-the-art diagnostic techniques and the latest surgical treatment options for many eye conditions such as diabetic retinopathy or rhegmatogenous retinal detachment. Useful basics, surgical principles, challenging cases, as well as the most advanced femtosecond assisted cataract surgeries are discussed.
