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Voyage of the Sable Venus
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on...
Voyage of the Sable Venus
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on...
Voyage of the Sable Venus
Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present-titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collect...
Perceptual Drift
A powerful reframing of the study of Black art and the historical and contemporary status of Black lives Perceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift" a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art. Distributed for the Cleveland Museum of Art
The Racial Unfamiliar
The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences pe...
Head Off & Split
"In Nikky Finney's Head Off & Split the beauty of language soars and saves us even as we skirt the raw edge of terror. And something rare and precious is restored, a light, a circling movement of the spirit. This is poetry to give thanks for."---Meena Alexander, author of Quickly Changing River --
Terry Adkins
This fully illustrated book explores the materiality of Terry Adkins's sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins's, who contributed an illuminating essay to this publication that explores the physicality and experience of viewing Adkins's sculptures. The catalogue also includes an essay by Michael Brenson, and newly commissioned poetry by Robin Coste Lewis. Exhibition: Lévy Gorvy Gallery, New York, USA (10.01.-17.02.2018).
To the Realization of Perfect Helplessness
A genre-bending exploration of poetry, photography, and human migration—another revelatory visual expedition from the National Book Award–winning poet who changed the way we see art, the museum, and the Black female figure. • Winner of the PEN/Voelcker Award for Poetry “Lewis pushes the limits of language and image, composing lines alongside a cache of hundreds of photographs found under her late grandmother’s bed only days before the house was slated to be razed.” —Kevin Young, The New Yorker Twenty-five years ago, after her maternal grandmother’s death, Robin Coste Lewis discovered a stunning collection of photographs in an old suitcase under her bed, filled with everything...
Bars Fight
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves.
