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Postcolonial Borges
Postcolonial Borges is the first systematic account of geo-political and postcolonial themes in the writings of Borges, from the poetry and essays of the 1920s to his later works and collections. This book shows how Borges's political and artistic temperament mark him out as a postcolonial intellectual and creative writer who is sui generis.
The Cambridge Companion to Jorge Luis Borges
Jorge Luis Borges (1899–1986) was one of the great writers of the twentieth century and the most influential author in the Spanish language of modern times. He had a seminal influence on Latin American literature and a lasting impact on literary fiction in many other languages. However, Borges has been accessible in English only through a number of anthologies drawn mainly from his work of the 1940s and 1950s. The primary aim of this Companion is to provide a more comprehensive account of Borges's oeuvre and the evolution of his writing. It offers critical assessments by leading scholars of the poetry of his youth and the later poetry and fiction, as well as of the 'canonical' volumes of the middle years. Other chapters focus on key themes and interests, and on his influence in literary theory and translation studies.
Pre-histories and Afterlives
"If the past is indeed a foreign country, then how can we make sense of its richness and difference, without approaching it on our terms alone? 'Pre-histories' and 'afterlives', methods that have emerged in recent work by Terence Cave, offer new ways of shaping the stories we tell of the past and the analyses we offer. In this volume, distinguished contributors engage in a dialogue with these two new critical methods, exploring their uses in a range of contexts, disciplines, languages and periods. The contributors are Terence Cave, Marian Hobson, Anna Holland, Neil Kenny, Mary McKinley, Richard Scholar, Kate E. Tunstall, and Wes Williams."
Henry James and the Second Empire
"Three years spent in France, during the 'Second Empire' of Napoleon III, gave Henry James an early mastery of the French language and its literature. When he settled in Europe, as an adult, it was not in Britain but, briefly yet crucially, in Paris. This study identifies the 'missing link' in the history of James's literary engagement with France, between Balzac, revered throughout his career, and later French writers. It was Second Empire writers who spurred James's own contribution to the novel. While realism courted official displeasure, culminating in the prosecution of Flaubert's Madame Bovary, and closure of the radical Revue de Paris which serialized it, the conservative Revue des Deux Mondes (to which James subscribed) enjoyed imperial approval. James remained indebted to the authors published in its pages - Edmond About, Victor Cherbuliez, and Octave Feuillet - to his close friend Paul Bourget, and to the era's greatest playwright, Alexandre Dumas fils." --Book Jacket.
The Usable Past
A comparative study of Latin American and North American fiction.
Doña Bárbara Unleashed
By comparing different screen adaptations of the story of Rómulo Gallegos’s notorious villainess, Doña Bárbara Unleashed reveals how over the years subversively strong female characters have become increasingly accepted by society and welcomed by audiences.
Postcolonialism
This seminal work—now available in a 15th anniversary edition with a new preface—is a thorough introduction to the historical and theoretical origins of postcolonial theory. Provides a clearly written and wide-ranging account of postcolonialism, empire, imperialism, and colonialism, written by one of the leading scholars on the topic Details the history of anti-colonial movements and their leaders around the world, from Europe and Latin America to Africa and Asia Analyzes the ways in which freedom struggles contributed to postcolonial discourse by producing fundamental ideas about the relationship between non-western and western societies and cultures Offers an engaging yet accessible style that will appeal to scholars as well as introductory students
The Cambridge Companion to Gabriel García Márquez
Gabriel García Márquez is Latin America's most internationally famous and successful author, and a winner of the Nobel Prize. His oeuvre of great modern novels includes One Hundred Years of Solitude and Love in the Time of Cholera. His name has become closely associated with Magical Realism, a phenomenon that has been immensely influential in world literature. This Companion includes new and probing readings of all of García Márquez's works, by leading international specialists. His life in Colombia, the context of Latin American history and culture, key themes in his works and their critical reception are explored in detail. Written for students and readers of García Márquez, the Companion is accessible for non-Spanish speakers and features a chronology and a guide to further reading. This insightful and lively book will provide an invaluable framework for the further study and enjoyment of this major figure in world literature.
A Cultural Citizen of the World
Based on an intensive study of the original German text of Freud's writings, letters and journals, S. S. Prawer's new book is the first to make a full and systematic map of Freud's use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who, like Montaigne, absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to Geo...
Landmarks in Modern Latin American Fiction (Routledge Revivals)
In the 1960s, there occurred amongst Latin American writers a sudden explosion of literary activity known as the ‘Boom’. It marked an increase in the production and availability of innovative and experimental novels. But the ‘Boom’ of the 1960s should not be taken as the only flowering of Latin American fiction, for such novels dubbed ‘new novels’ were being written in the 1940s and 1950s, as well as in the 1970s and 1980s. In this edited collection, first published in 1990, Philip Swanson charts the development of Latin American fiction throughout the twentieth century. He assesses the impact of the ‘new novel’ on Latin American literature, and follows its growth. Nine key texts are analysed by contributors, including works by the ‘big four’ of the ‘Boom’ – Fuentes, Cortázar, Garcia Márquez and Vargas Llosa. This book will be of interest to critics and teachers of Latin American literature, and will be useful too as supplementary reading for students of Spanish and Hispanic Studies. It will also serve as a helpful introduction to those new to Latin American fiction.
