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This collection of eight new essays investigates ways in which significant kinds of 18th-century writings were designed and received by different audiences. Rivers explores the answers to certain crucial questions about the contemporary use of books. This new edition contains the results of important new research by well known specialists in the field of book and publishing history over the last two decades.
Collected here as a homage to Robin Myers, respected book trade historian and editor of the Publishing Pathways Series devoted to studies in book trade and publishing history, these essays uncover the connections between the mechanics of the book trade and their human ends in the learning and transmission of knowledge. They show that the processes and materials involved in the production of books pave the way for larger economic and social issues ranging from business connections, patents, copyrights and their transfer, London's relations with Ireland and America, the Stationers' Company and what transpires when books pass into the hands of customers. This work also includes a memoir of Myers along with a bibliography of her published works. - See more at: http://www.oakknoll.com/pages/books/47253/arnold-hunt-giles-mandelbrote-alison-shell/book-trade-its-customers-1450-1900-historical-essays-for-robin-myers#sthash.oAW8oRu8.dpuf -- Publisher's website.
The poems in LOVE TRAINING are intimate in focus and scale: taut and contemplative, they ruminate on family, exile, romantic love, and the vagaries of human perception. LOVE TRAINING, which gathers poems from several of Andrés Neuman’s books into a single unified collection, is divided into three sections. The first, the titular "Love Training," focuses on family (and its history), loss, relationships, love, and a sense of anchoring in the world. The second, “Fictions of Sight,” are associated with questions of perception, perspective, and creativity. And the third, “I Don’t Know Why” – which is the first phrase of every poem in the section – is a whimsical set of interconnected poems that ask unanswered questions; it serves as a kind of coda to the book. While Andrés Neuman is a celebrated and widely translated novelist, he is also a lucid, sensitive, incisive – and quite prolific – poet. LOVE TRAINING is the first English translation of his poetry.
From the reign of Charles II to the early 19th century, a curious Almanac - part 'teach-yourself mathematics', part political satire - promoted the use of science in everyday life and trades. Benjamin Wardaugh tells the story of the rumbustious 'Poor Robin of Saffron Walden', and the rise of popular science in Georgian England.
An artist races to finish his forgery of a masterpiece while held captive in surreal, menacing splendor. José Federico Burgos is a failed painter turned forger trapped in surreal, an architectural masterpiece hidden behind high walls, an impish vagabond, and some very resourceful, very intimidating twins—Forgery pays homage to greats like Juan Rulfo and Luis Barragán, traversing late 20th Century Guadalajara with the exuberance and eccentricity of an 18th Century picaresque.
Presents a guide for those interested in pursuing a career in the performing arts, with advice and tips on assessing interests and skills, setting goals, planning career actions, searching for a job, networking, and pursuing success in the workplace.
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This volume provides a thorough analysis of the Company of Stationers, drawing heavily on unpublished Company records. Author Timothy Feist places the Stationer’s Co. in the context of the burgeoning “consumer society” of the 18th century & relates the almanacs’ content with the political developments of the post-Revolution whig state. He argues that the almanac’s creation, production, & distribution need to be understood through the commercial imperatives driving the Company, which controlled the monopoly. Feist’s discussion of almanac content in the early 18th century stresses its preoccupation with order, harmony, & unity, & he skillfully links the almanacs’ association of political with mathematical order.
In 1450 very few English men or women were personally familiar with a book; by 1850, the great majority of people daily encountered books, magazines, or newspapers. This book explores the history of this fundamental transformation, from the arrival of the printing press to the coming of steam. James Raven presents a lively and original account of the English book trade and the printers, booksellers, and entrepreneurs who promoted its development. Viewing print and book culture through the lens of commerce, Raven offers a new interpretation of the genesis of literature and literary commerce in England. He draws on extensive archival sources to reconstruct the successes and failures of those involved in the book trade—a cast of heroes and heroines, villains, and rogues. And, through groundbreaking investigations of neglected aspects of book-trade history, Raven thoroughly revises our understanding of the massive popularization of the book and the dramatic expansion of its markets over the centuries.
The history of Peru unfolds in the lives of the descendants of seven children fathered by a Catholic priest and his longtime secret lover. Renato Cisneros's great-great-grandmother Nicolasa bore seven children by her long-term secret love, who was also her priest, raising them alone in nineteenth century Peru. More than a century later, Renato, the descendent of that clandestine affair, struggles to wring information about his origins out of recalcitrant relatives, whose foibles match the adventures and dalliances of their ancestors. As buried secrets are brought into the light, the story of Nicolasa's progeny unfolds, bound up with key moments in the development of the Republic of Peru since its independence.