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Debating the Archaeological Heritage
This introduction to contemporary debates surrounding their rival claims deals with defining, owning, protecting, managing, interpreting, and experiencing the archaeological heritage. How should the archaeological heritage be presented to the public?
The Routledge Handbook of Sensory Archaeology
Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent. This Handbook provides an extensive set of specially commissioned chapters, each of which summarizes and critically reflects on progress made in this dynamic field during the early years of the twenty-first century. The authors identify and discuss the key current concepts and debates of sensory archaeology, providing overviews and commentaries on its methods and its place in interdisciplinary sensual culture studies. Through a set of thematic studie...
Territory, Time and State
Territory, Time and State is a study of long term archaeological history in the remote and beautiful upland valley of Gubbio within the Umbrian Apennines of Italy. The aim of the work is well defined by the natural constraints of this mountainous region. The authors have developed a multi-disciplinary approach to study the human and physical characteristics of the valley from the paleolithic to the medieval period. They integrate the analysis of a unique text (the Iguvine Tables) with excavation, field survey and environmental reconstruction to provide a synthesis of current knowledge. They break boundaries of time and tradition which are normally compartmentalised between different scholars. Although the linkage is sometimes controversial, it is always stimulating. The book has two major focuses: the first is on the Bronze Age landscape where spectacular sites and finds have contributed very significantly to our knowledge of pre-state Italy; and the second is on the identity and character of the early city state of Gubbio and its incorporation into the Roman world.
Debating the Archaeological Heritage
This introduction to contemporary debates surrounding their rival claims deals with defining, owning, protecting, managing, interpreting, and experiencing the archaeological heritage. How should the archaeological heritage be presented to the public?
The Oxford Handbook of Public Archaeology
The Oxford Handbook of Public Archaeology seeks to reappraise the place of archaeology in the contemporary world by providing a series of essays that critically engage with both old and current debates in the field of public archaeology. Divided into four distinct sections and drawing across disciplines in this dynamic field, the volume aims to evaluate the range of research strategies and methods used in archaeological heritage and museum studies, identify and contribute to key contemporary debates, critically explore the history of archaeological resource management, and question the fundamental principles and practices through which the archaeological past is understood and used today.
Museums and Archaeology
Museums and Archaeology brings together a wide, but carefully chosen, selection of literature from around the world that connects museums and archaeology. Part of the successful Leicester Readers in Museum Studies series, it provides a combination of issue- and practice-based perspectives. As such, it is a volume not only for students and researchers from a range of disciplines interested in museum, gallery and heritage studies, including public archaeology and cultural resource management (CRM), but also the wide range of professionals and volunteers in the museum and heritage sector who work with archaeological collections. The volume's balance of theory and practice and its thematic and geographical breadth is explored and explained in an extended introduction, which situates the readings in the context of the extensive literature on museum archaeology, highlighting the many tensions that exist between idealistic 'principles' and real-life 'practice' and the debates that surround these. In addition to this, section introductions and the seminal pieces themselves provide a comprehensive and contextualised resource on the interplay of museums and archaeology. .
An Archaeology of the Senses
In this generously illustrated book Robin Skeates establishes a well-defined methodology for an archaeology of the senses, produces a challenging new interpretative synthesis of Maltese prehistoric archaeology, and provides a rich archaeological case-study for the emergent interdisciplinary field of sensual culture studies.
Visual Culture and Archaeology
This book draws on the complementary fields of visual cultural studies and interpretative archaeology to examine how successive generations transformed their visual culture to construct themselves. It explores this process through an extended case-study of art and social life in prehistoric south-east Italy, between the Upper Palaeolithic and the Bronze Age. A central argument of the book is that a wide range of visually communicative artworks were consumed and produced in the cultural process. Such objects range from portable artefacts, to installations within sites, to monumental structures in the landscape - all of which were interwoven with people's bodies in the experiences of daily life and special performances. More specifically, it is argued that these powerful aesthetic objects were actively used by people across space and time to perceive the world around them and to reproduce their social lives. They helped people to establish personal and collective boundaries, identities and relationships, to acquire and exercise power, to promote ideologies, and to contest them, especially at time of social tension.
Archaeology Outside the Box
Archaeology Outside the Box makes contemporary archaeology germane to the general public as well as to researchers in other disciplines. In thirty-one richly illustrated chapters, a wide variety of projects is presented by an international group of anthropologists, archaeologists, architects, and artists. These aim to broaden the applicability of archaeology by reflecting on archaeological remains in novel ways, or by addressing contemporary concerns with archaeological theory and research methods. Demonstrating the fascinating and pertinent nature of archaeology, the authors go far beyond its definition as a discipline that unearths objects of ancient material culture. Many chapters also provide arguments relevant to the soul-searching discussions currently taking place within archaeology worldwide and accelerated by the Black Lives Matter movement and the recent Covid-19 pandemic.
Visual Culture and Archaeology
This book draws on the complementary fields of visual cultural studies and interpretative archaeology to examine how successive generations transformed their visual culture to construct themselves. It explores this process through an extended case-study of art and social life in prehistoric south-east Italy, between the Upper Palaeolithic and the Bronze Age. A central argument of the book is that a wide range of visually communicative artworks were consumed and produced in the cultural process. Such objects range from portable artefacts, to installations within sites, to monumental structures in the landscape - all of which were interwoven with people's bodies in the experiences of daily life and special performances. More specifically, it is argued that these powerful aesthetic objects were actively used by people across space and time to perceive the world around them and to reproduce their social lives. They helped people to establish personal and collective boundaries, identities and relationships, to acquire and exercise power, to promote ideologies, and to contest them, especially at time of social tension.
