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"A full survey based on the author's observations and subsequent reading"--Bagnall.
- Tattooed History: The Story of Mokomokai presents in a new way, and in a new light, the ancient art of tattooing among the Maori peopleTattooed History: The Story of Mokomokai is the first book to comprehensively explore the history of these remarkable Maori ancestors. The elaborate facial markings (ta moko) of the Maori are well-known, but less so is the unique process of preserving the tattooed heads of both enemies and loved ones. This work presents many sources, documents and illustrations for the first time to explore its subject in a new and original way.Mokomokai were first encountered by Europeans during the exploration of New Zealand by James Cook. When missionaries, traders and o...
Maori tattooing (moko) communicates the bearer's genealogy, tribal affiliation, and spirituality. This definitive study discusses the distinctions between men and women's moko, patterns and designs, and moko in legend and song.
The story of the Vikings in North America as both fact and fiction, from the westward expansion of the Norse across the North Atlantic in the tenth and eleventh centuries to the myths and fabrications about their presence there that have developed in recent centuries. Tracking the saga of the Norse across the North Atlantic to America, Norse America sets the record straight about the idea that the Vikings 'discovered' America. The journey described is a continuum, with evidence-based history and archaeology at one end, and fake history and outright fraud at the other. In between there lies a huge expanse of uncertainty: sagas that may contain shards of truth, characters that may be partly hi...
Te Papa holds New Zealands national art collection, whose origins date back to 1865 and the establishment of the then Colonial Museum (later the Dominion and then the National Museum). Built up over the years by a succession of directors and curators, the collections 40,000 works track New Zealand history and the art movements within it. In this generous book, Te Papas curators and a wide range of other expert art writers showcase the strengths of the New Zealand art collection by discussing around 270 works. From very early colonial work through to recent acquisitions, and including photography, their essays offer insights into the art, the artists and the context and issues that drove them. The book is complemented by biographies of all the featured artists, making it a valuable resource.
Nada the Lily is a historical novel by English writer H. Rider Haggard, published in 1892. It is said to be inspired by Haggard's time in South Africa. The novel tells the tale of the origin and early life of the hero Umslopogaas, the unacknowledged son of the great Zulu king and general Chaka, and his love for "the most beautiful of Zulu women", Nada the Lily.
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This collection of naval court martial transcripts and related documents from the time of the French Revolutionary and Napoleonic Wars contributes not only to our understanding of military jurisprudence in the late eighteenth and early nineteenth centuries but also to our knowledge of Georgian and Regency criminal law in general.These transcripts are presented in their entirety and offer a unique window to the social conditions and behaviour aboard the King's ships at the time.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Despite the growing number of publications on the Russo-Japanese War, an abundance of questions and issues related to this topic remain unsolved, or call for a reexamination. This 30-chapter volume, the first in the two-volume project Rethinking the Russo-Japanese War, provides a comprehensive reexamination of the origins of the conflict, the various dimensions of the nineteen-month conflagration, the legacy of the war, and its place in the history of the twentieth century. Such an enterprise is not only timely but unique. It has benefited from a multinational team of thirty-two scholars from twelve nations representing a broad disciplinary background. The majority of them focus on topics never researched before and without exception provide a novel and critical view of the war. This reexamination is, of course, facilitated by a century-long perspective as well as an impressive assortment of primary and secondary sources, many of them unexplored and, in a number of cases, unavailable earlier.