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It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'lov...
The annual harvesting of cereal crops was one of the most important economic tasks in the Roman Empire. Not only was it urgent and critical for the survival of state and society, it mobilized huge numbers of men and women every year from across the whole face of the Mediterranean. In Bringing in the Sheaves, Brent D. Shaw investigates the ways in which human labour interacted with the instruments of harvesting, what part the workers and their tools had in the whole economy, and how the work itself was organized. Both collective and individual aspects of the story are investigated, centred on the life-story of a single reaper whose work in the wheat fields of North Africa is documented in his funerary epitaph. The narrative then proceeds to an analysis of the ways in which this cyclical human behaviour formed and influenced modes of thinking about matters beyond the harvest. The work features an edition of the reaper inscription, and a commentary on it. It is also lavishly illustrated to demonstrate the important iconic and pictorial dimensions of the story.
Dalzell presents three of the major didactic poems in the classical canon: the De rerum natura of Lucretius, the Georgics of Virgil, and the Ars amatoria of Ovid, considering what tools are available for their understanding.
A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory
The annual harvesting of cereal crops was one of the most important economic tasks in the Roman Empire. Not only was it urgent and critical for the survival of state and society, it mobilized huge numbers of men and women every year from across the whole face of the Mediterranean. In Bringing in the Sheaves, Brent D. Shaw investigates the ways in which human labour interacted with the instruments of harvesting, what part the workers and their tools had in the whole economy, and how the work itself was organized. Both collective and individual aspects of the story are investigated, centred on the life-story of a single reaper whose work in the wheat fields of North Africa is documented in his funerary epitaph. The narrative then proceeds to an analysis of the ways in which this cyclical human behaviour formed and influenced modes of thinking about matters beyond the harvest. The work features an edition of the reaper inscription, and a commentary on it. It is also lavishly illustrated to demonstrate the important iconic and pictorial dimensions of the story.
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The Fourth Gospel and the Manufacture of Minds in Ancient Historiography, Biography, Romance, and Drama is the first book-length study of genre and character cognition in the Gospel of John. Informed by traditions of ancient literary criticism and the emerging discipline of cognitive narratology, Tyler Smith argues that narrative genres have generalizable patterns for representing cognitive material and that this has profound implications for how readers make sense of cognitive content woven into the narratives they encounter. After investigating conventions for representing cognition in ancient historiography, biography, romance, and drama, Smith offers an original account of how these conventions illuminate the Johannine narrative’s enigmatic cognitive dimension, a rich tapestry of love and hate, belief and disbelief, recognition and misrecognition, understanding and misunderstanding, knowledge, ignorance, desire, and motivation.
In these five essays Niall Rudd presents an eclectic set of comparisons between certain ancient authors and later English writers ranging from Chaucer to Pound. He shows how five English writers consciously used and adapted classical works, and in so doing he illuminates both the classical authors and their English imitators and admirers. Readable translations and summaries of the Latin sources make these stimulating studies accessible even to scholars and students with little or no Latin. The first essay compares Chaucer's treatment of Dido in The House of Fame and The Legend of Good Women with Virgil's presentation of Dido in the Aeneid, and Ovid's in Heroides 7. The second essay, comparin...
Homo Patiens - Approaches to the Patient in the Ancient World is a book about the patients of the Graeco-Roman world, their role in the ancient medical encounters and their relationship to the health providers and medical practitioners of their time. This volume makes a strong claim for the relevance of a patient-centred approach to the history of ancient medicine. Attention to the experience of patients deepens our understanding of ancient societies and their medical markets, and enriches our knowledge of the history of ancient cultures. It is a first step towards shaping a history of the ancient patient’s view, which will be of use not only to ancient historians, students of medical humanities, and historians of medicine, but also to any reader interested in medical ethics.
"Unlike literature in the modern western world, ancient documents were typically crafted for the ear rather than the eye. Jeffrey E. Brickle analyses the oral patterning and resulting soundscape reflected in the prologue of First John. After discussing contemporary techniques of sound analysis and establishing the study's methodological approach, Brickle examines the prologue's aural profile. To do this he explores, describes, and graphically depicts, the patterns of sound that emerge. Brickle then uses approaches to Greek pronunciation and orality advocated in recent New Testament research to determine the impact on the prologue's soundscape. He employs the principles for beautiful and effective composition elucidated by Dionysius of Halicarnassus in his treatise On literary composition. The results and implications of this study enable Brickle to suggest further ways to apply research in orality, performance, and memory to ancient texts"--From publisher description.