You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This stunningly beautiful book throws open the closed doors of the Sydney herbaria, and the history of Australia's flora.
When the first British visitors arrived on Australia's shores at the end of the eighteenth century, it was not only the potential of its space that tantalised them, but the extraordinary living things that they found there. Every European collector worth his salt desired a kangaroo, a parakeet, a waratah, and ship after ship sailed north loaded with Australia's remarkable natural history specimens. In 1826, the most serious collector to make his own trip to the antipodes arrived - his name was Alexander Macleay, and over 70 years he and his family accumulated an unbelievably rich and diverse collection of specimens from Australia itself and beyond. Museum throws open the doors of a historically rich and rare collection, stunningly captured in the images of Robyn Stacey. It reclaims the stories of those specimens, and those obsessions, revealing another chapter of Australia's own very particular, passionate and unique history.
"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." -- Choice "... a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network... " -- Times Literary Supplement "... this is a stimulating, even moving, book, dense with ideas and with many quotable lines." -- The New Statesman "Wark is one of the most original and interesting cultural critics writing today." -- Lawrence Grossberg McKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.
Sydney Harbour has been a defining feature for the people who have lived around it for millennia: a means of communication, a barrier, a resource to be exploited, a site of commerce and trade, and a place of beauty, spirit and meaning. In this sweeping history of one of the world’s most recognisable landscapes, award-winning historian Ian Hoskins explores the story of this famous waterway, from its importance to the Gameragal and Gadigal people to highly charged contemporary debates about the future of the ‘working harbour’ and the ownership of its foreshores. A beautifully written and compelling book, this new edition of Sydney Harbour surveys the interactions between the glitterin...
Silliness is to be savoured. It exposes the cracks in our reasoning, raising a gleeful two-finger salute to convention and common sense. In a world awash with stupidity and cruel politics, silliness is childish, anarchic, mischievous, rude and sometimes shocking. But it's not new. This delightful yet informative book reveals the surprisingly rich history of silliness, going all the way back to the madcap plays of Aristophanes in the fourth century BC. Medieval fools and jesters, strange 'epidemics of silliness' in the sixteenth and eighteenth centuries, and the charming nonsense of Lewis Carroll and Edward Lear, lead us to the often dark and nihilistic silliness of modern times, including Buster Keaton, Monty Python and 'Cats that Look Like Hitler.
Illustrated with pictures from late eighteenth and early nineteenth century natural history books, A New Holland Miscellany is a series of poetic monologues which narrate encounters between colonial settlers and the Australian flora and fauna. A host of voices - explorers, scientists, artists, convicts, physicians, soldiers, escapees and free settlers - are brought to life with energy, pathos and humour.
“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
Blooms and Brushstrokes takes you on a unique journey through the history of Australian art, one flower at a time, examining the blooms depicted in still lifes, floral portraits, decorative interiors and botanical illustrations by a long line of Australian artists. Mother-and-daughter team Penelope and Tansy Curtin start this fascinating journey in the late eighteenth century, when the traditions adhering to the Western art canon were transplanted into the newly colonised Australia. They follow it through the rapidly developing artistic styles of the early twentieth century, to the new media of the contemporary period. These works of art also shine a light on the role and importance of plant...
The fate of the war-decimated kingdom of Hytanica falls into the hands of a former queen who is secretly in love with her enemy and a rebel who seeks retribution for her family's losses.