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This is a comparative study of the role of English and French towns in feudal society in the middle ages. In bringing together much material which dissolves old categories and simplifications in the study of medieval towns, Professor Hilton provides an important new perspective on medieval society and on the nature of feudalism. He argues that medieval towns were not, as is often thought, the harbingers of capitalism, and emphasises the way in which urban social structures fitted into, rather than challenged, feudalism.
The conflict between landlords and peasants over the appropriation of the surplus product of the peasant holding was a prime mover in the evolution of medieval society. In this collection of essays Rodney Hilton looks at the economic context within which these conflicts took place. He seeks to explain the considerable variations in the size, composition and management of landed estates and investigates the nature of medieval urbanisation, a consequence of the development of both local commodity production and long distance trade in luxury goods. By setting the broader economic context – the nature of the peasant and landlord economies and the commercialisation of peasant production – Hilton's essays enable a thorough understanding of the relationship between landlords and peasants in medieval society.
This volume eschews general narrative history and consists of articles, most of which were presented to a conference organized in 1981 by the Past and Present Society.
This collection of essays, based on original research, is an exploration of the sort of themes which Rodney Hilton worked on, in the light of recent research: particularly lord-peasant relationships, revolts, and urban/commercial development. It aims at summing up where these themes are at present and where they will go in the future. The volume was edited by Christopher Dyer, Peter Coss and Chris Wickham.
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
From the bestselling, twice Orange Prize-shortlisted, National Book Award-nominated author comes a vibrant tale of transformation: of a man in his later years and a woman novelist, each drawn to the Levant on a journey of self-discovery Jules Epstein has vanished from the world. He leaves no trace but a rundown flat patrolled by a solitary cockroach, and a monogrammed briefcase abandoned in the desert. To Epstein's mystified family, the disappearance of a man whose drive and avidity have been a force to be reckoned with for sixty-eight years marks the conclusion of a gradual fading. This transformation began in the wake of Epstein's parents' deaths, and continued with his divorce after more ...
Eleven obituaries of recently deceased Fellows of the British Academy: Isaiah Berlin; Christopher Hill; Rodney Hilton; Keith Hopkins; Peter Laslett; Geoffrey Marshall; John Roskell; Isaac Schapera; Ben Segal; John Cyril Smith and Richard Wollheim.
President Donald Trump originated his political career by claiming that Barack Obama was not born in the USA. His “birtherism” theory was discredited, but there’s another possibility about birth. Evangelicals have given birth to Donald Trump in the immaculate mistake. Evangelicals are not a collection of dumb and irrational people; they are the creators of the demolition presidency of Trump. He is their child—the result of almost one hundred years of evangelical angst, resentment, and hurt. This is the story of how Trump has become a secular evangelical preacher and his message of fear, hatred, division, and getting even has captured the hearts and minds of evangelicals. Rather than dismissing them, this work takes them seriously and literally and offers a frank and disturbing series of portraits of their determination to win at all costs.
Although the gentry played a central role in medieval England, this study is the first sustained exploration of its origins and development between the mid-thirteenth and the mid-fourteenth century. Arguing against views which see the gentry as formed or created earlier, the text investigates as well the relationship between lesser landowners and the Angevin state; the transformation of knighthood; and the role of lesser landowners in society and politics.
Throughout history, patterns have come in countless permutations of motif, colour-way and scale. Yet what all have in common is the regularity of repetition, that insistent rhythm that animates a flat surface with a sense of movement and vitality and gives it depth. Evident in the arrangement of petals on a flower head, the branching growth of stems and vines, the spirals of a seashell - pattern is inherent in the natural world that surrounds us. Powerful and transformative, pattern has an irrepressible joie de vivre. With more than 1,500 illustrations of patterns from all ages and cultures, Pattern Design is a visual feast. This comprehensive compendium is arranged thematically according to type, with chapters on Flora, Fauna, Pictorial, Geometric and Abstract designs. These broad categories are supplemented by in-depth features highlighting the work of key designers from the rich history of pattern-making - such as William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day and Orla Kiely - along with sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.