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Michael P. Carroll argues that the academic study of religion in the United States continues to be shaped by a "Protestant imagination" that has warped our perception of the American religious experience and its written history and analysis. In this provocative study, Carroll explores a number of historiographical puzzles that emerge from the American Catholic story as it has been understood through the Protestant tradition. Reexamining the experience of Catholicism among Irish immigrants, Italian Americans, Acadians and Cajuns, and Hispanics, Carroll debunks the myths that have informed much of this history. Shedding new light on lived religion in America, Carroll moves an entire academic field in new, exciting directions and challenges his fellow scholars to open their minds and eyes to develop fresh interpretations of American religious history.
This work examines slave emancipation and opposition to it as a far-reaching, national event with profound social, political, and cultural consequences. The author analyzes multiple views of the African American child to demonstrate how Americans contested and defended slavery and its abolition.
Religion and the Rise of Jim Crow in New Orleans examines a difficult chapter in American religious history: the story of race prejudice in American Christianity. Focusing on the largest city in the late-nineteenth-century South, it explores the relationship between churches--black and white, Protestant and Catholic--and the emergence of the Jim Crow laws, statutes that created a racial caste system in the American South. The book fills a gap in the scholarship on religion and race in the crucial decades between the end of Reconstruction and the eve of the Civil Rights movement. Drawing on a range of local and personal accounts from the post-Reconstruction period, newspapers, and church reco...
*A history of the American Catholic Churchs policy toward rural issues in the past century*
Over a decade ago, the publication of Divided Houses ushered in a new field of scholarship on gender and the Civil War. Following in its wake, Battle Scars showcases insights from award-winning historians as well as emerging scholars. This volume depicts the ways in which gender, race, nationalism, religion, literary culture, sexual mores, and even epidemiology underwent radical transformations from when Americans went to war in 1861 through Reconstruction. Examining the interplay among such phenomena as racial stereotypes, sexual violence, trauma, and notions of masculinity, Battle Scars represents the best new scholarship on men and women in the North and South and highlights how lives were transformed by this era of tumultuous change.
Religion is viewed here as the great cultural force which introduced and preserved civilization in the era of westward expansion from 1776 to the eve of the Civil War. In this first major study of religion in the South, Mr. Posey surveys the work of the seven chief denominations—Methodist, Baptist, Presbyterian, Disciples of Christ, Cumberland Presbyterian, Roman Catholic, and Protestant Episcopal—as they developed in the frontier region that now comprises the states of Kentucky, Tennessee, Alabama, Mississippi, Louisiana, Texas, Arkansas, and Missouri. The great challenges faced by the churches, Mr. Posey believes, were, first, the barbarism continually threatening a people isolated in ...
The story of a Louisiana mansion, a planter�s empire, and a preservation battle lost to bulldozers
Flannery O'Connor, Tim Gautreaux, and Walker Percy, are all Catholic writers from the South-and seem to embody very fully both parts of that label. Yet as quickly becomes clear in their writing, their fiction employs markedly different tones and modes of addressing their audience. O'Connor seems intent on shocking her reader, whom she anticipates will be hostile to her deepest beliefs. Gautreaux gently and humorously engages his reader, inviting his expected sympathetic audience to embrace the characters' needed moral growth. Percy satirically lampoons an array of social ills and failings in the Church, as he tries to get his audience laughing with him while he makes his deadly serious point...
Reflections about the Vidrine Family throughout the course of its 275 year history in Louisiana
During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved...