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May God Have Mercy
In some states by law, in others by tradition, judges imposing a sentence of death complete the grim ritual with the words "May God have mercy on your soul." In 1982, in Grundy, Virginia, a young miner named Roger Coleman was sentenced to death for the murder of his sister-in-law. Ten years later, the sentence was carried out, despite the extraordinary efforts of Kitty Behan, a brilliant and dedicated young lawyer who devoted two years of her life to gathering evidence of Coleman's innocence, evidence so compelling that media around the world came to question the verdict. The courts, ruling on technicalities, refused to hear the new evidence and witnesses. Finally, the governor of Virginia ordered a lie-detector test to be administered on the morning of Coleman's scheduled execution, and in a chair that to Coleman surely looked like nothing so much as an electric chair. In John Tucker's telling, this story is an emotional and unforgettable roller-coaster ride from the awful night of the crime to the equally awful night of the execution. Perhaps it was not Roger Coleman whose soul was in need of God's mercy, but the judges, prosecutors, and politicians who procured his death.
The Independent Group
This study looks at the artists, designers and writers who formed the Independent Group in the early 1950s including such influential figures as Richard Hamilton, Eduardo Paolozzi, Nigel Henderson, William Turnball, Rayner Banham and Alison and Peter Smithson. As a group they aimed to raise the status of popular objects and icons within modern visual culture. The development of the Independent Group is mapped out against the changing nature of modernism during the Cold War era, as well as the impact of mass consumption on post-war British society. In this book, Massey examines the cultural context of the formation of the Group, covering the founding of the Institute of Contemporary Arts in London, the meanings of modernism, and the creation of a national identity. Key exhibitions such as "Parallel of Life and Art" and "This Is Tomorrow" are also examined.
The Innocence Commission
Beyond Exonerating the Innocent: Author on WAMU Radio Convicted Yet Innocent: The Legal Times Review Choice Outstanding Academic Title for 2008 DNA testing and advances in forensic science have shaken the foundations of the U.S. criminal justice system. One of the most visible results is the exoneration of inmates who were wrongly convicted and incarcerated, many of them sentenced to death for crimes they did not commit. This has caused a quandary for many states: how can claims of innocence be properly investigated and how can innocent inmates be reliably distinguished from the guilty? In answer, some states have created “innocence commissions” to establish policies and provide legal as...
Reports
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Criminal Investigative Failures
Avoid Major Investigative TrapsWhat causes competent and dedicated investigators to make avoidable mistakes, jeopardizing the successful resolution of their cases? Authored by a 21-year police veteran and university research professor, Criminal Investigative Failures comprehensively defines and discusses the causes and problems most common to faile
Inclusive Design
Inclusive Design: What's in It for Me? presents a comprehensive review of current practice in inclusive design. With emphasis on new ideas for improvement and arguments for wider implementation in future, a unique combination of leading opinions on inclusive design from both industry and academia are offered. The theme throughout encourages a positive view of inclusive design as a good and profitable process and to produce a change to more effective approaches to "design for all". Inclusive Design is composed of two parts with a common chapter structure so that the business and design arguments in favour of inclusive design can be easily compared and assimilated: The Business Case presents t...
Justice for All
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Burning the Box of Beautiful Things
Alex Seago's book has been inspired by his desire to understand and discover the origins of postmodern culture in Britain. One of the main points of his study is that it was art and design students who were among the first to be aware of and to articulate social implications of postmodernculture. Arguing that postwar art schools provided a vital crucible for the development of a particuarly English cultural sensibility, he focuses on cultural change at the Royal College of Art, London, during the 1950s and 1960s. The students' attack on the English 'box of beautiful things' - aterm used by a former student to describe the neo-Romantic, neo-Victorian, highly decorated tastes of some RCA tutor...
Executed on a Technicality
When David Dow took his first capital case, he supported the death penalty. He changed his position as the men on death row became real people to him, and as he came to witness the profound injustices they endured: from coerced confessions to disconcertingly incompetent lawyers; from racist juries and backward judges to a highly arbitrary death penalty system. It is these concrete accounts of the people Dow has known and represented that prove the death penalty is consistently unjust, and it's precisely this fundamental-and lethal-injustice, Dow argues, that should compel us to abandon the system altogether.
