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Comentários à Lei Geral de Proteção de Dados
Cumprindo o propósito desta obra de ser um repositório amplo sobre a legislação de proteção de dados vigente no Brasil, já na 1a edição pudemos contar com a participação do professor José Sérgio da Silva Cristóvam e da professora Tatiana Meinhart Hahn, que redigiram, em coautoria, comentários aos principais pontos do Decreto Federal 10.474, de 26 de agosto de 2020, com as alterações feitas pelo Decreto Federal 11.202, de 21 de setembro de 2022, que aprovou a Estrutura Regimental e o Quadro Demonstrativo dos Cargos em Comissão e das Funções de Confiança da Autoridade Nacional de Proteção de Dados e remanejou e transformou cargos em comissão e funções de confiança. N...
A proteção de dados a partir dos aplicativos de mobilidade urbana
Esta obra, fruto de uma dissertação de Mestrado, visa descrever a dinâmica sociotécnica e tecnopolítica da mobilidade urbana orientada por dados a partir do uso de plataformas e sua adequação perante a Lei Geral de Proteção de Dados (LGPD – Lei no 13.709/18). Para tanto, após descrevermos o conceito da privacidade até a proteção de dados, apuramos, perante os órgãos públicos, as empresas credenciadas e documentadas para operação da mobilidade urbana em São Lourenço/MG para análise das controvérsias e polêmicas surgidas no que tange a proteção de dados. Mapeada e descrita a mobilidade, nesse contexto orientada por dados, descrevemos a rede a partir da cartografia de...
Comentários à Lei Geral de Proteção de Dados Pessoais
"O percurso legislativo que culminou na promulgação da Lei no 13.709, de 14 de agosto de 2018 (Lei Geral de Proteção de Dados Pessoais – LGPD), que é objeto dos comentários desta obra, demonstrou a riqueza e a complexidade do debate em torno da proteção de dados pessoais no Brasil. O tema, que há tempos é debatido pela doutrina especializada, enfim está normatizado! Foram amplas as discussões acerca da vigência da lei, tendo havido, inclusive, prorrogação de seu prazo de vacatio legis e tentativas de novas extensões; reformas já foram realizadas, antes mesmo de sua vigência, em temas como as decisões automatizadas e as sanções administrativas; a Autoridade Nacional de ...
Proteção de dados pessoais na sociedade da informação
A sociedade da informação se manifesta com toda a sua potencialidade nesses tempos hodiernos e, com o avanço incessante da tecnologia, novos desafios se apresentam aos operadores do direito na medida em que as Tecnologias da Informação e Comunicação (TICs) desempenham seu papel de forças-motrizes das transformações contemporâneas. Noutras palavras, a tecnologia deixa de se apresentar como um elemento autônomo e desconectado da sociedade, da economia, da cultura e do direito, e passa a constituir o próprio amálgama das inter-relações individuais – ressignificadas a largos passos. A tecnologia tem o potencial de alterar a adequação dos regimes de responsabilidade civil dian...
Practice as Research in the Arts
At the performance turn, this book takes a fresh 'how to' approach to Practice as Research, arguing that old prejudices should be abandoned and a PaR methodology fully accepted in the academy. Nelson and his contributors address the questions students, professional practitioner-researchers, regulators and examiners have posed in this domain.
Hans Staden's True History
In 1550 the German adventurer Hans Staden was serving as a gunner in a Portuguese fort on the Brazilian coast. While out hunting, he was captured by the Tupinambá, an indigenous people who had a reputation for engaging in ritual cannibalism and who, as allies of the French, were hostile to the Portuguese. Staden’s True History, first published in Germany in 1557, tells the story of his nine months among the Tupi Indians. It is a dramatic first-person account of his capture, captivity, and eventual escape. Staden’s narrative is a foundational text in the history and European “discovery” of Brazil, the earliest European account of the Tupi Indians, and a touchstone in the debates on c...
A Journey Round My Room
In 1790, Xavier de Maistre was 27 years old, and a soldier in the army of the Sardinian Kingdom, which covered swathes of modern-day Northern Italy and Southern France. He was placed under house-arrest in Turin for fighting an illegal duel. It was during the 42 days of his confinement here that he wrote the manuscript that would become Voyage autour de ma chambre. Inspired by the works of Laurence Sterne, with their digressive and colloquial style, de Maistre decided to make the most of his sentence by recording an exploration of the room as a travel journal. de Maistre’s book imbues the tour of his chamber with great mythology and grand scale. As he wanders the few steps that it takes to circumnavigate the space, his mind spins off into the ether. It parodies the travel journals of the eighteenth-century (such as A Voyage Around the World by Louis de Bougainville, 1771), and could be read today as an early take on the modern vogue for “psychogeography” — each tiny thing that he encounters sends de Maistre into rhapsodies, and mundane journeys become magnificent voyages.
The Education of the Professional Musician
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley An...
Music, Culture, and Experience
One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, How Musical Is Man? Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life. This volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.
Music and the Racial Imagination
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
