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In this wide ranging collection of essays, eleven literary scholars and creative writers examine authorship and authority in relation to the production and reception of cultural texts. Ranging in time from the Renaissance to the era of digital publishing, the essays invite us to reconsider the influential theories of Roland Barthes, Michel Foucault, and Pierre Bourdieu for our understanding of writers such as Philip Sidney, Thomas Hardy, Laura Riding, W.B. Yeats, Gertrude Stein, and J.M. Coetzee. Shedding new light on authority's complex role in the generation of cultural meaning, the essays will be of interest to students and teachers of literary history and critical theory alike.
From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.
Most of the contributions to Translating Shakespeare for the Twenty-First Century evolve from a practical commitment to the translation of Shakespearean drama and at the same time reveal a sophisticated awareness of recent developments in literary criticism, Shakespeare studies, and the relatively new field of Translation studies. All the essays are sensitive to the criticism to which notions of the original as well as distinctions between the creative and the derivative have been subjected in recent years. Consequently, they endeavour to retrieve translation from its otherwise subordinate status, and advance it as a model for all writing, which is construed, inevitably, as a rewriting. This...
"Represents another stepping stone toward our understanding of life in the Southeast 10,000–11,000 years ago."--Southeastern Archaeology "The Paleoindian component at Harney Flats is a benchmark in early [human] studies in Florida and the Southeast."--North American Archaeologist "A work which must be recognized as a definitive study of Paleoindians in Florida and which will serve as a model for future archaeological studies throughout North America and elsewhere."--Florida Anthropologist "The book is a Florida Paleoindian classic."--Dan F. Morse, coauthor of Archaeology of the Central Mississippi Valley Discovered during construction of the I-75 corridor northeast of Tampa, the site of Ha...
For the prehistoric people of the Middle Atlantic region, copper held a fascination higher than rank, achievement, or status. Native copper artifacts, along with other exotic objects, were seen as a conduit or connection between the living and the dead and were used in burial. Other studies have viewed the use of such artifacts in burials as indicative of an individual’s status and rank, providing evidence for complex society. In Archaeology, Copper, and Complexity, Gregory Denis Lattanzi contends that such economic explanations should be rethought, arguing that the presence of highly exotic artifacts like copper beads and gorgets could be representative of the different mechanisms at play within prehistoric ideology, ceremonialism, and ritual.