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"Hopper is simply a bad painter, but if he were a better one, he would probably not be such a great artist." Clement Greenberg.
Edward Hopper (1882-1967) is considered as one of the first important American painters in 20th century art. After decades of patient work, Hopper enjoyed a success and popularity that since the 1950s has continually grown. In canvas after canvas he painted the loneliness of urban people. Many of Hopper's pictures represent views of streets and roads, rooftops, and abandoned houses, depicted in a brilliant light that strangely belies the melancholy mood of the scenes. Hopper's paintings are marked by striking juxtapositions of colour, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment sometimes lends his pictures a mood of eerie disquiet.
Edward Hopper (1882-1967) is considered the first important American painter of the 20th century. After decades of patient work, he enjoyed a success and popularity that since the 1950s has continually grown. In canvas after canvas he painted the loneliness of urban people.
Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.
Edward Hopper holds an important place in twentieth-century American art. In his scenes of urban and rural life--canvases that reveal his rare, highly focused technical accomplishment and his deep psychological penetration--he created indelible images that often convey the loneliness of persons within their environment. Highly individual, instantly recognizable, his works are among the most esteemed in collections of American art. The Whitney Museum of American Art is the biggest repository of works by Edward Hopper. In its collection are a large number of Hopper drawings, powerful works that teach us not only about Hopper's technique and vision but also about the art of drawing itself. This...
A catalog of an exhibition held at the Whitney Museum in 1995 includes a literary collection
From "Art Deco to "Edward Hopper, Mary Cassatt to "Crandma Moses, this beautifully illustrated series explores the lives and work of famous American artists and schools of style. A visual celebration, the combination of color plates, photographs, and informative text will delight art lovers everywhere. Noted author Sherry Marker explores the realism and poetry of Hopper's work, while sketching in details of the artist's life and providing incisive introductions to nearly 70 full color reproductions.
When the Hapsburg monarchy disintegrated after World War I, Austria was not considered to be a viable entity. In a vacuum of national identity the hapless country drifted toward a larger Germany. After World War II, Austrian elites constructed a new identity based on being a "victim" of Nazi Germany. Cold war Austria, however, envisioned herself as a neutral "island of the blessed" between and separate from both superpower blocs. Now, with her membership in the European Union secured, Austria is reconstructing her painful historical memory and national identity. In 1996 she celebrates her 1000-year anniversary. In this volume of Contemporary Austrian Studies, Franz Mathis and Brigitte Mazohl...
The complete oils of arguably America's best and probably America's most "American" artist.
Learn about one of the most admired artists of modern times and admire 100 of his best-loved masterpieces.